For those of you who follow me on Twitter (or anywhere, really) you’ve probably heard me gush about ElfQuest at some point or another. While I’m not quite a super-fan, Wendy and Richard Pini’s cult graphic novel series ElfQuest was my first fandom, and in some ways has been my most enduring. So when I realized that 2018 marked the 40th anniversary of the long-running series (just last week, in fact!) I knew I had to write a post about the impact it’s had on my life, and all the love I still carry for Cutter Kinseeker’s epic journey.
Created by Wendy and Richard Pini in the late ’70’s, the basic story goes like this:
Scattered across the primitive World of Two Moons, a race of telepathic elves struggle to survive and coexist. When the Wolfriders–a tribe of hunter-gatherer elves sharing a unique bond with wolves and led by a young chieftain named Cutter–are driven from their forest Holt by hostile humans, they set off to find a new home. But instead, they stumble upon a village of elves known as the Sun Folk, a peaceful, agrarian tribe who tell of the mythical High Ones, the powerful ancestors of all elves. Determined to reunite all the scattered elf tribes, Cutter sets off across the World of Two Moons in search of the legendary Palace of the High Ones.
I came across the series when I was very young–6 years old, maybe 7. My mom got the first volume out of the library for my teenaged brother, who took one look at the lush illustrations and fantastical setting and pronounced it “girly stuff.” Even though I couldn’t read or comprehend much of the dialogue, I spent hours looking at the art and piecing together the story. Later, I obsessively read and reread the graphic novels. My paperback copies of the Original Quest became tattered from over-use, the bindings breaking and the pages falling out. And when I wasn’t reading ElfQuest, I was playing ElfQuest. My younger siblings and I used to stick butter knives in our belts and spend hours climbing trees, pretending to be Wolfriders.
So what makes the series so great? I’m so glad you asked! *clears throat* *pats seat*
First of all, the artwork is incredible. Sometimes delicate and fey, other times brutal and blood-soaked, Wendy Pini’s art is always entrancing. It’s not perfect, of course–the first volume starts out a little rocky art-wise (hey, that’s what first books are for!) and in the latter volumes it took on some questionable ’80’s aesthetic flair, but that just means it’s never static. Fluid but not fickle, the artwork evolves with the elves’ epic journey and reflects the changes the characters themselves undergo.
Moreover, ElfQuest was diverse before it was cool. The series features an incredibly racially varied cast of male, female and arguably non-binary characters, and even though the graphic novels nominally follow Cutter, a male elf chieftain, there is an undeniable thread of feminism threading through the story. Although each of the elf tribes has different social mores, for the most part the female elves are free to be whomever they choose and do whatever they choose. Some are fierce warriors, like Go-Back chief Kahvi, or agile hunters, like Nightfall. Others are peaceful spiritualists, like ancient Savah, or gentle healers, like powerful and beautiful Leetah. They are both vivacious lovers and dedicated mothers; female sexuality is considered a natural and beautiful part of elfin life, never something to be ashamed of.
And finally, ElfQuest explores perhaps its most powerful theme, and one that is so very important in this day and age: racial prejudice and the arbitrary boundaries separating otherwise similar groups. When the elves first arrive on the World of Two Moons, they are labeled as demons by the native humans and savagely persecuted. Due to this treatment, elves deeply mistrust and hate humans. Similarly, a race of earth-dwelling trolls resent the elves for what they see as elitist and arrogant attitudes. But throughout the series the Pinis show us that the things that bind these disparate races as well as the divisions within the races are greater than the things separating them. And ultimately, the greatest evil and threat to the elves arises from within their own ranks, in the form of the corrupting influence of the wicked Winnowill.
The final volume of the Final Quest comes out this year to mark the end of an incredible 40 year journey! Will you be reading the end to Cutter’s quest? I know I will.
When I went to check the schedule to see who was about to drop the ball and miss their posting date I realized, as you can probably guess, it was me. Yup. Go team leader!
But that’s okay. I had no idea what to post for a second and thought I was going to continue my series of “I’ve run out of creative juices, but I’m still trying!” posts, which I know, by post three, are just riveting.
And then I remembered! This is the week I’m revealing the title and cover of my forthcoming YA apocalyptic novel! Huzzah! I have something to post! Go team leader!
If you’re familiar with my Ash & Ruin Trilogy, this book is a spin off of that world. Well, it’s a spin off of a spin off. My first spin off (say spin off again), was Dandelions, a novel about Gwen, a young teen orphaned by the plague, waiting for her sister, Maggie, to make it home at the end of the world. While I was writing that book the character Maggie became more and more interesting to me. Gwen barely recognizes the person her sister has become, so I wondered what happened to her to change her so drastically.
And thus, Maggie’s first book was born. This first book in Maggie’s tale gives us a glimpse into the horror and panic she’s facing trying to get home as the world is falling apart around her. I had thought this story would be a duet, but there’s a chance it might be a trilogy too. I’m not sure yet. Yay adventure!
But I do have the title and cover ready. Pre-order date to be announced soon. Anyway, I hope you guys dig it!
The other day I had a guest post over at the Rainbow Romance Writers blog. As often is the case, whatever I’m struggling with in my writing ends up in a blog post. It’s like my mind needs to process through my fingers before I can move forward .
The guest post was about editing, and described some of the strategies I use when I’m moving from rough draft to polished product. I have a novel I wrote for NaNoWriMo that I’d like to send to my agent, but it needs revision first. I sat down, made my plan, and sent off the post.
But I’ve spent this whole week spinning my wheels, which tells me that no matter how good my intentions, I was heading in the wrong direction.
I’m working with a rough (rough!) draft that has some good moments and characters I like, along with comments from my writing partner and alpha reader, Irene Preston. Irene and I have written two novels and two novellas together, and there’s no one on the planet who knows my writing better.
And let’s just say I’ve come up with stuff she’s liked better.
My grand plan involved writing a synopsis to help sort out the plot threads, then revising scene-by-scene based on a complicated set of steps that I won’t bore you with here. After that, I’d planned to send it out to beta readers, and with their feedback in hand, start grinding down on the words themselves, looking for repeats and crutch words and passive voice.
Yeah, you know, I’ll still probably do most of that, but the synopsis thing was tripping me up. I got talking with my friend Kelly Jensen (who’s also the blog mama for the Rainbow Romance Writers) and she suggested I use a spreadsheet, with lines for each scene and columns for plot points and other assorted details.
And you know what? That’s what I needed to unstick myself. Here’s a quick screenshot of what I have so far…
It’s not much, yet, but it’s a step in the right direction and such (SUCH!) a relief. If you’re interested, hop on over to the RRW blog for a more detailed look at my editing process. Otherwise, I’ll send you a virtual high five, and TGIF!!
Oh, and before I go, Irene and I have a new novella that’ll be available as a giveaway this Valentine’s Day! Haunted is set in our Hours of the Night world but features different characters, and a lighter paranormal tone. I’ll put the blurb & Goodreads link below, and if you’re interested, come hang out with us on our Facebook page – After Hours with Liv & Irene – because for sure you’ll get the link for the free download!
Noel Chandler had a good reason for leaving the L.A.P.D. for New Orleans, but when he walks into a burned out Garden District mansion, he discovers there are some things he can’t outrun. The spooks can find him anywhere.
As the resident historian for the cable show Haunts and Hoaxes, Professor Adam Morales keeps an open mind about the supernatural. Or that’s what he tells himself, until he meets a man who puts that principle to the test. Noel’s smart, sexy, and has killer cop instincts. One glance from his bedroom eyes has Adam ready to believe anything.
Last we met I talked about how I wanted to start working on the outline of a new book. Well, I’m not quite to the outline part yet, but I am figuring out the book. I’m world building and character building. I’m figuring out where this book wants to go. It’s both fun and incredibly frustrating.
Every book I’ve written has been set in modern times and in Southern California–for the most part. But this book is going to be set in some make-believe world, which means I have to make this world and name it’s places and things. Holy crap that is hard. I’ve never appreciated how difficult it is to figure out names. No wonder people named places after kings and queens and no wonder there are so many First Streets and Main Streets and the like.
I’m cheating a little bit because I happen to have a very large, paper map of Ireland and I am using it to help me visualize this world. After all, I did go on a exploratory trip there last year to get into the pagan, witchy vibe of the story.
I’m also figuring out my main character. I can see her in my head and she’s awesome. She’s a witch and she reads tarot. So I’ve dusted off my tarot cards to re-familiarize myself with that only to realize I’ve forgotten how much I enjoy doing it. So much so, I might start doing it a lot, for real people. Kind of a scary idea, but exciting too.
I already had two decks, which I laid out a couple of spreads with, but they really weren’t doing it for me. So, I got a new deck and I am in love. It’s amazing how writing can bring new and old things into your life. I’ve missed reading tarot. It’s something the women in my family have done for years, my mother was quite adapt at it, but I sort of fell out of doing it before I gave myself the chance to see how good I could be at it.
But this new deck has inspired me and I’m giving myself permission to go at it my own way and it’s really working out for me.
I’m excited to see where else this book will take me. But I also just want to start writing. I’m impatient to put words on the paper and see my word count start ticking away. But I want this to be good. I want it to stand up with the other fantasy books I love to read. I have to give it room to grow.
One thing I’m struggling with is deciding if it’s YA or Adult. I think it’s Adult, but my main character might be on the young side of adult, which might be what’s tripping me up. Though, I may be too hung up on that and just need to plot the book and figure that part out later.
I’m trying very hard to think this one through. I am a plotter-pantser, which means I take the time to loosely outline a book so I know the plot points and the beats I want to hit, but often when I’m writing and I get into a groove, things will morph and improvise and then I have to adjust the outline to work with the changes. I like this way of writing because I don’t limit myself, but with this new book, I want to make sure I have a really strong outline, a clear map, that helps me get through to the end. When a book is a bigger, more epic fantasy you want to make sure you know where you’re going so you don’t get lost.
And, normally, by this point I know the ending of the book. But this time? I’m not sure yet. Usually I can see a still of the last, big scene in a book. It’s a perfect freeze frame and I know exactly what is happening in that moment so I just have to figure out how to get there from the start, but I don’t have that picture in my head yet. I think this book might be an ass-kicker.
I had no idea where this post was going when I sat down to write it, so I just started typing. I guess this is kind of a window in to the mind of a writer when we’re first figuring out a new project. It’s a little crazy, a little messy, but things connect. Like a spiderweb.
Books, man, they are strange, living things that really take over your world if you let them.
One of my favorite thing about the holidays is so many authors release novels or novellas to celebrate the season. It’s a little ironic, because generally I don’t have as much time to read as I normally do, but I find myself adding to my TBR pile anyway. With that in mind, I thought I’d come up with a list of holiday reads…because this is the season for my favorite things, right?
(If you received my newsletter yesterday, you’ll have already seen most of these, but there are a few new ones. And if you’re not on my newsletter list, go HERE to fix that!)
I’m starting with Blessing & Light by my friend Kasia. She writes romantic high fantasy (think naughty elves!) and packs a whole lot of story in just a few pages. This one is FREE for the month of December!
It’s the Night of Winter Lights.
Heedless of the holiday, the Commander of the H’Aren fortress, Captain Torýn Torhdhar, seems to find his satisfaction in work.
Such occurrence hardly surprises his Orderly, Sæbastyn Hyago, even though the young Lieutenant has spent a silent, aching decade wishing his superior officer would pursue pleasure elsewhere—specifically in his arms. But as the evening continues, nothing about it meets Sæbastyn’s expectations. Will the Lieutenant see his secret desires realised, or his heart shattered?
I read Yuletide Truce last week, and it gave me the best book hangover! If you like Victorian stories, definitely grab this one.
It’s December, Alan “Aigee” Garmond’s favorite time of the year, when the window display of the small bookshop where he works fills up with crimson Christmas books and sprays of holly. Everything could be perfect — if it weren’t for handsome Christopher Foreman, the brilliant writer for the fashionable magazine About Town, who has taken an inexplicable and public dislike to Aigee’s book reviews.
But why would a man such as Foreman choose to target reviews published in a small bookshop’s magazine? Aigee is determined to find out. And not, he tells himself, just because he finds Foreman so intriguing.
Aigee’s quest leads him from smoke-filled ale-houses into the dark, dingy alleys of one of London’s most notorious rookeries. And then, finally, to Foreman. Will Aigee be able to wrangle a Yuletide truce from his nemesis?
Glass Tidings by Amy Jo Cousins was my favorite holiday read last year, and 20% of the proceeds benefit The Trevor Project!
Eddie Rodrigues doesn’t stay in one place long enough to get attached. The only time he broke that rule, things went south fast. Now he’s on the road again, with barely enough cash in his pocket to hop a bus to Texas after his (sort-of-stolen) car breaks down in the middle of nowhere, Midwest, USA.
He’s fine. He’ll manage. Until he watches that girl get hit by a car and left to die.
Local shop owner Grayson Croft isn’t in the habit of doing people any favors. But even a recluse can’t avoid everyone in a town as small as Clear Lake. And when the cop who played Juliet to your Romeo in the high school play asks you to put up her key witness for the night, you say yes.
Now Gray’s got a grouchy glass artist stomping around his big, empty house, and it turns out that he . . . maybe . . . kind of . . . likes the company.
But Eddie Rodrigues never sticks around.
Unless a Christmas shop owner who hates the season can show an orphan what it means to have family for the holidays.
Merry & Bright is a new holiday collection from Joanna Chambers. I read all three of these stories when they were first released, and honestly Rest and Be Thankful is one of my all-time favorites. They’re all really good, and it’s so nice to have them all in one place!
Quin Flint is unimpressed when his gorgeous colleague, Rob Paget, asks for extra time off at Christmas. As far as Quin is concerned, Christmas is a giant waste of time. Quin’s on the fast track to partnership, and the season of goodwill is just getting in the way of his next big project. But when Quin’s boss, Marley, confiscates his phone and makes him take an unscheduled day off, Quin finds himself being forced to confront his regrets, past and present, and think about the sort of future he really wants…and who he wants it with.
Mr Perfect’s Christmas
Sam Warren’s new job hasn’t been going so well so the last thing he’s in the mood for is the obligatory office Christmas party, particularly since Nick Foster’s going to be there. Nick–the guy whose shoes Sam has been trying to fill–seems to take very opportunity to point out where Sam’s going wrong. But when Sam receives an unexpected Secret Santa gift at the party, he’s forced to question his assumptions about his rival. Could it be that he’s been misinterpreting Nick’s actions all along? And is it possible that his reluctant attraction to Nick is reciprocated?
Rest and Be Thankful
Things haven’t been going well for Cam McMorrow since he moved to Inverbechie. His business is failing, his cottage is falling apart and following his very public argument with café owner Rob Armstrong, he’s become a social outcast. Cam needs to get away from his troubles and when his sister buys him a ticket to the biggest Hogmanay party in Glasgow, he can’t leave Inverbechie quick enough. But when events conspire to strand him in the middle of nowhere in a snowstorm, not only is he liable to miss the party, he’ll also have to ask his nemesis, Rob, for help.
This is the book I’m reading now, and while I’m not finished, it’s getting rave reviews. The characters celebrate Hanukkah, too, which sets it a little bit apart from most holiday stories and 20% of the proceeds will benefit The Russian LGBT Network.
Last month, Alex Barrow’s whole life imploded—partner, home, job, all gone in forty-eight hours. But sometimes when everything falls apart, better things appear almost like magic. Now, he’s back in his Michigan hometown, finally opening the bakery he’s always dreamed of. But the pleasure of opening day is nothing compared to the lonely and beautiful man who bewitches Alex before he even orders.
Corbin Wale is a weirdo. At least, that’s what he’s heard his whole life. He knows he’s often in a fantasy world, but the things he feels are very real. And so is the reason why he can never, ever be with Alex Barrow. Even if Alex is everything he’s always fantasized about. Even if maybe, just maybe, Corbin is Alex’s fantasy too.
When Corbin begins working at the bakery, he and Alex can’t deny their connection any longer. As the holiday season works its magic, Alex yearns for the man who seems out of reach. But to be with Alex, Corbin will have to challenge every truth he’s ever known. If his holiday risk pays off, two men from different worlds will get the love they’ve always longed for.
I love Cat Sebastian’s books and was *so* excited to see this one land on my kindle!!
Some of Ben Sedgwick’s favorite things:
Helping his poor parishioners
Shamelessly flirting with the handsome Captain Phillip Dacre
After an unconventional upbringing, Ben is perfectly content with the quiet, predictable life of a country vicar, free of strife or turmoil. When he’s asked to look after an absent naval captain’s three wild children, he reluctantly agrees, but instantly falls for the hellions. And when their stern but gloriously handsome father arrives, Ben is tempted in ways that make him doubt everything.
Some of Phillip Dacre’s favorite things:
People doing precisely as they’re told
Touching the irresistible vicar at every opportunity
Phillip can’t wait to leave England’s shores and be back on his ship, away from the grief that haunts him. But his children have driven off a succession of governesses and tutors and he must set things right. The unexpected presence of the cheerful, adorable vicar sets his world on its head and now he can’t seem to live without Ben’s winning smiles or devastating kisses.
In the midst of runaway children, a plot to blackmail Ben’s family, and torturous nights of pleasure, Ben and Phillip must decide if a safe life is worth losing the one thing that makes them come alive.
Kris Ripper’s annual New Years book has become one of my favorite things about the holidays. There are a bunch of books in this series, so some of the character relationships will be richer if you’ve read at least some of the others. Also, the Scientific Method series is AMAZING, so you should read them just for that.
It’s the holidays. Basically: everything is awful. As usual.
It’s been three years since Davey saw their ex-boyfriend Will. The thing is…Will’s sort of the one who got away. And he’s also the one Davey calls when they’re super depressed, and it’s the holidays, and they just want a hug.
What they get is an invitation to Will’s boyfriends’ beach house for New Year’s. Yeah. Boyfriends. Plural.
In ten days Davey finds a kitten, wears a mermaid dress, and crushes on a beautiful man. Welcome to New Year’s at the beach house.
You’re probably going to laugh at me, but I’m rounding out the list with three of my own holiday reads. Two are short stories, and one’s a novella from the Hours of the Night series I write with Irene Preston…
Silent night, holy hell.
Thaddeus and Sarasija are spending the holidays on the bayou, and while the vampire’s idea of Christmas cheer doesn’t quite match his assistant’s, they’re working on a compromise. Before they can get the tree trimmed, they’re interrupted by the appearance of the feu follet. The ghostly lights appear in the swamp at random and lead even the locals astray.
When the townsfolk link the phenomenon to the return of their most reclusive neighbor, suspicion falls on Thaddeus. These lights aren’t bringing glad tidings, and if Thad and Sara can’t find their source, the feu follet might herald a holiday tragedy for the whole town.
I was frustrated with yesterday’s newsletter, because the link to this short story was broken, so I had to give it a shout-out here…
Things aren’t always what they seem, and this shopping mall Santa has a secret that only true love can reveal.
Mackenzie’s an out-of-work actress who takes a job as a shopping mall Santa to pay the rent. She fools everyone with her Santa drag, until the day Joe McBride walks into the mall. Joseph Timothy McBride – the real-life, got a soap opera gig and you saw him in Scream II actor. The only guy she ever really loved. Can Mack stay in character, or is it time to strip off the red coat and peel off the beard for good?
I was beyond floored to be in such esteemed company and thrilled to see those rankings. There was a major adrenaline rush, I won’t lie.
But I’m also a bit skeptical of now calling myself a bestseller. I know some people would, but to me there’s a HUGE difference between making #1 in a niche category (which Arthurian Literary Criticism obviously is) and being on the overall bestseller list. I mean, 57,858 books were selling better than my book was at the time that screenshot was taken. If I was #1 in overall literary criticism, I’d at least consider it. But I’m not; I didn’t even get the orange bestseller flag (which I think is reserved for the bigger categories).
I don’t mean to demean this achievement, but I feel like a lot of authors are throwing around the term bestseller very loosely these days. I don’t want it to become meaningless. I mean, in one category you could (and people have done this with spoof books to prove the point) reach number 1 by selling like two books, whereas in another you have to sell tens of thousands. Where is the line? Is there one anymore? Does anyone care?
The last thing I want to do is be misrepresenting myself. I think readers have a pretty good nose for what is authentic achievement and what is PR. (I do PR as my day job, so I can say that.) As much as my over-inflated ego wants to add “bestselling” to “multi-award-winning author” in my bio, I think I’m going to wait for a more meaningful achievement.
Not that any of this is going to stop me from popping a glass of champagne tonight…and continuing to dream of making the USA Today and New York Times bestseller lists in the future.
What do you think? Do I have the right to use the term bestseller? Where is the line between using it and not for you?
About The Once and Future Queen
Guinevere’s journey from literary sinner to feminist icon took over one thousand years…and it’s not over yet.
Literature tells us painfully little about Guinevere, mostly focusing on her sin and betrayal of Arthur and Camelot. As a result, she is often seen as a one-dimensional character. But there is more to her story. By examining popular works of more than 20 authors over the last one thousand years, The Once and Future Queen shows how Guinevere reflects attitudes toward women during the time in which her story was written, changing to suit the expectations of her audience. Beginning in Celtic times and continuing through the present day, this book synthesizes academic criticism and popular opinion into a highly readable, approachable work that fills a gap in Arthurian material available to the general public.
Nicole Evelina has spent more than 15 years studying Arthurian legend. She is also a feminist known for her fictional portrayals of strong historical and legendary women, including Guinevere. Now, she combines these two passions to examine the effect of changing times and attitudes on the character of Guinevere in a must-read book for Arthurian enthusiasts of every knowledge level.
This post is a day late because I was on a deadline to get final edits and the index of my non-fiction book, The Once and Future Queen: Guinevere in Arthurian Legend, back to my formatter.
Yep, I compiled my own index. For me it was a matter of money, as in I didn’t have any more to spend on this book so I couldn’t pay someone to do it. But I learned a lot, so I thought I’d share in case anyone else has to do their own someday.
I will never look at an index the same way again. Previously I’d never really given much thought to where they come from. I just had some vague thought that probably the publisher and some software were involved. (See point 7 below for more on the role of the publisher.) And yes, there is some software you can use, but there are some things the human mind will always be best for. (See point 3 below for more.) There are professional indexers out there (a job a cannot imagine voluntarily having) but it is possible to do your own with some time and planning.
Indexing is just as tedious as you would expect. It is boring, yes, but part of what makes it hard is the mental gymnastics that go with it. You have put away your author hat and think like a researcher. (Having a background in research or a lot of experience using non-fiction books is really helpful. As a historical fiction author, I have that, plus part of my senior year of college was dedicated to learning how to research for my thesis, so I’m lucky in that regard.) You need to be able to think of what people might be looking for when they pick up your book. That means making sure you include in your index not only the concepts that you as an author think are important, but also those anyone using your book as a resource might need.
There are really two parts to compiling an index.
Keywords – This is the way I compiled my first few drafts. As mentioned in point 2, I went through and listed every major concept and person in the book, as well as the people whose sources I used. I’m not sure if that last one is standard practice, but I thought “what if someone wants to see all the pages Katherine Bonner was quoted on?” So I gave her an entry. This being my first index, I’d rather have too much in it than it not be useful.Then I went back and tried to imagine all the ways my book might be used in research, which yielded the concepts or themes I will discuss more below. Your keywords are the easier (but more tedious) part of compiling. To get the page numbers that go with them, you can use the search function in your final PDF. When you do this, be sure to include variations and synonyms of words to get the most robust list. (i.e. for Christianity, I also searched Christian, Church, religion, God, and Catholic – and would have included Christ and Jesus, if there had been any references.)
Concepts – This requires reading the book with your mind set on the themes present as you read. Because I only had two days, I proofread at the same time, but I recommend doing two separate readings if you can. Think about the themes you see and how they might be classified in the index to make sense to your researcher reader.For example, when I was reading a section on the rights of women in the Middle Ages, I was noting the page numbers on these keywords: Middle Ages, medieval, women (sub-entry “rights of;” sub-entry “in the Middle Ages”), subservience, Catholic church (because they influenced women’s rights a lot during that period), law, etc.
There are two types of indexes. Because why would you want to make it easy?
Run-in – These are the ones where the sub-entries are in the same line as the main heading. I personally find these really hard to read. An example would be:Guinevere, 2, 17, 150; personality of, benevolent, 152, 255, 260; self-centered, 2, 15, 24, 125, 230; weak, 56, 98, 254; rescue of, 45, 65, 125; treason, 14, 78, 53, 65
This is the official choice of the Chicago Manual of Style.
Hanging – This is when you indent your sub-entries and sub-sub-entries. Same example as above: (I have to use dashes to indicate indenting because WordPress strips them out)
I think these are easier to use, so this what I went with.
Pre-work is key. You can’t put the page numbers to the index until you have your final layout, but you can start compiling the list of terms in your index. I did this for about a week before I got my final layout, and it really saved me time, which was my goal since I knew I’d been in a time crunch. I’d also advise reading blog posts on indexing and pouring over your style manual’s rules on indexing beforehand.
You will revise and revise and revise. You start out with one long list (from what I’ve read 10-14 pages is not uncommon), and then you whittle it down. I personally found I didn’t need nearly as many sub-entries as I originally expected. The only time I went three levels deep was in my entry for Guinevere, the main subject of the book. I also found myself adding new terms as I thought of them while I read and deleting those that didn’t end up having as much relevance as I expected. And of course, there are always the typos.
There are a lot of little rules. Not all of which I followed, mainly due to time constraints. Examples:
See and See also entries to cross reference entries have to be italicized but the entry itself does not. And they are preceded by a comma. (i.e. Morgaine, 78, 96, See also Morgan; Morganna)
Only proper names are capitalized in the index. Which is weird because you usually capitalize all leading entries in a list, which is what an index is.
You can list names multiple ways, (i.e. Arthur, King or King Arthur) and cross reference as in point A above, or you can list the page numbers in both entries.
Sub-entries are usually only used if an entry has more than five or six page numbers behind it. This is where I ran out of time. There were a few entries like “Arthur, King” and “convent” that had a LOT of pages, but I didn’t have the time or wherewithall to break them out. Sorry, readers!
Footnotes are indexed like this: 345n10 for page 345, footnote 10.
There are two ways you can alphabetize. (Seriously!)
They are different ways you can list page numbers. (Who knew?)
The Chicago Manual of Style sells their indexing guidelines as a separate book. This is fabulous because it is the standard for most non-fiction books and the full manual is something like $75. I wouldn’t need the whole thing (unless I was becoming an editor) so this is a bargain.
Indexes take a LONG time to produce. As I said, I had a deadline, but my index could easily have taken me two to three weeks to produce. Make sure you budget that time in your schedule. I didn’t because I didn’t know what to expect.
Many publishers don’t include the index in the services they provide, so even if you are traditionally published, you might have to do your own or pay for someone to do it for you. At least that’s what my trad pubbed friends on Facebook said when I posted about never wanting to do this again.
Some things are worth paying for. For books that are longer (this one is about 60,000 words) or more complex, there is no way I would ever consider doing it myself again. But at least I know I can if I have to.
Part of me kind of enjoyed it. Some sick, Type A part of me revels in organization. That part of me took pride in making the index and knowing it is at least a good one, if not perfect, because no one knows the subject matter better than the author. I’m sure there are mistakes I made and things I still have to learn, but I’m happy with the outcome.
To me, taking care with an index isn’t so much a matter of doing it properly for the 0.0001% of the population who will notice, as it is a matter of making it as useful as possible to anyone who is using my book as research. I hope I did a good job!
Have you ever indexed a book? Would you consider doing it yourself?