We Need to Talk About New Adult

When I was growing up, my town had a magnificent public library. Downstairs was the children’s section. It encompassed everything from board books to chapter books. Many of my favorites, like Susan Cooper, Lloyd Alexander, and Madeleine L’Engle, were relegated to this section, because of the age of the characters or the perceived audience for the content. We’d now probably call this Middle Grade, but I selected books from these shelves well into high school, because the stories rocked and the writing was epic. Upstairs, they had a small but dedicated Young Adult section, featuring the likes of Tamora Pierce, Vivian Vande Velde, and Jane Yolen. I spent a lot of time here, and read so many amazing stories. But the selection was frankly a little sparse. Which meant that eventually, I wandered into the wide, weird world of Adult. Which in my library, at least, meant everything else. 

The thing was, there was no road map out there in everything else. I read dry classics that had zero kissing, let alone anything spicier. I found graphic novel series that triggered existential crises (Neil Gaiman’s Sandman series, in case you’re looking for a spectacular mind-cuss). I stumbled upon novels with way more adult themes than I was looking for (thanks for the mental scarring, Mists of Avalon.) The point is, once you pass Young Adult, there’s very little in the way of guidance as far as content goes.

That was the late 90s/early 2000s, but the problem I ran into as a young teen still remains. Although some have made a concerted effort to add a new category to the ones we’re already familiar with, New Adult–or NA–fiction has failed to achieve lift-off. And I think that’s a shame.

For those of you not in the know, “New Adult” was coined in 2009 when St. Martin’s Press held a writing contest calling for “fiction similar to YA that can be published and marketed as adult—sort of an ‘older YA’ or ‘new adult.” Since then, the genre has faced criticism and push-back. Some claim it’s nothing more than “smutty YA,” while many booksellers believe it’s nothing more than a marketing farce. Some publishers will throw your manuscript right out the window if you frame it as NA, while others look for books in the genre but want to either age them up or down to fit into YA or Adult.

Look—I write YA. I read YA. I love YA, and always will. But there really is an odd little liminal zone between YA and Adult, both for readers and authors. I grew up on YA and will read it until the day I die, but I’m also a 33 year old woman who occasionally likes a little spice in her books, if you catch my drift. As an author, I also struggle with the bounds of YA—sometimes I wish I could age my characters beyond their teen years and give them bigger responsibilities and bigger problems without automatically pushing my book into the Adult genres.

And the weird thing is, New Adult does exist, whether the label officially does or not. There have been a mess of books out in the past few years that I would personally class as NA. Anything written by Sarah J. Maas seems to fall in the category, but one of her series is shelved in YA and the other is shelved in Adult despite both having similar themes and content. Shelby Mahurin’s Serpent & Dove series seems a perfect fit, but is billed as upper YA, whatever that means. Jennifer L. Armentrout’s runaway hit From Blood and Ash is billed as Adult, but with a late-teen protagonist, plenty of coming-of-age themes, and a lot of ahem hands on action, it seems pretty much made for NA. Basically, there are plenty of people reading and clamoring for books featuring the originality, quality world-building, and well-drawn characters we’ve come to expect from modern YA, but with more mature themes, characters, and yes, a little spice. 

So whether it’s named or not, New Adult exists. We may all be more familiar with the traditional categories of Children’s, Middle Grade, Young Adult, and Adult. But those categories are all pretty arbitrary themselves. So why not make space for a new category? Come on, publishing industry! This isn’t just some fad that’s going to disappear. We want New Adult, and we want it now! (At least, I do.)

Do you read “New Adult” books? Or do you prefer the genres as they stand? Any thoughts welcome in the comment section below!

OMG! I’m a Hybrid Author

So…I have news!

I am over-the-moon excited! I’m finally a hybrid author! This has been a long time coming and I am so excited to write these books. Here’s a little more about them:

Not the real cover.

Sex and the City: A Cultural History
This book will provide cultural context and analysis of the famous show, both how it affected cultural as it aired and also how it looks now 20+ years later. Some topics include:

  • Looking at what it means to relate to each of the girls (ala, Are you a Carrie? A Samantha? A Miranda? A Charlotte?)
  • What the men in the show illustrate about masculinity and what that means about the kind of men women are attracted to.
  • Issues like diversity or lack thereof, treatment of sex and sexuality, LGBTQIA portrayal.
  • How the show made New York a character, built brands, influenced fashion and reflected third wave feminism.
  • And a lot more!

I have an end of year deadline, so hopefully the book will come out around the time the reboot, And Just Like That, airs.

Fierce Females in Television: A Cultural History

Not the real cover.

This book will briefly discuss the nature of physically strong women on TV from the 1950s-1980s, but will focus specifically on the 1990s to today because that is when we saw a major ramp up in the portrayal of these kinds of women.

Shows covered include: Xena: Warrior Princess (1995-2001), Buffy the Vampire Slayer (1997-2003), Charmed (1998-2006), Alias (2001-2006), Nikita (2010-2013), Agent Carter (2015-2016), Jessica Jones (2015-2019), Game of Thrones (2011-2019), and Homeland (2011-2020).

Some of the topics include:

  • An analysis of the main female characters on each show.
  • The meaning of female strength and friendships/family.
  • The influence of third- and fourth-wave feminism on the shows and their characters.
  • Treatment of sex and diversity.
  • The role of redemption narratives and change in female lives.
  • And more!

This book will be out sometime in 2023/24. 

Between these, the League of Women Voters book (due Oct. 4) and at least one work of historical fiction, you know what my next few months and even my 2022 will look like!

What’s your favorite Beach Read?

The other night I took part in an author panel for the ConTinual: the Con that Never Ends Facebook page and the topic was beach reads. Since it seems like we’ll actually be able to go to the beach this summer – even those who don’t live near one because travel is opening back up – I thought it would be fun to share ideas about what makes a good beach read and maybe suggest one or two.

When I say “beach read”, what kind of book do you think of?

Tbh, my own definition is fairly broad: books that have words strung together in sentences. (That’d be all books, lol.) Maybe it comes from having attended the University of Hawaii, where it’s possible I lugged nursing textbooks onto the sand to “study”, but I’ll read just about anything on the beach.

Elaine Pagels The Gnostic Gospels? Yup. Read that one on the beach. I’m weird.

Having done this panel, though, I know some of you have higher standards. The general theme of our discussion was that beach reads should be both low angst and escapist. Fluffy, if you will. Or if not fluffy, at least not so demanding that you can’t put it aside when it’s time to take a dip or to order another one of those little umbrella drinks.

Based on the (highly unscientific) panel, I can confidently say that the best Beach Reads fall into a handful of categories. Ymmv, but here’s what I learned, along with a suggestion or two for each one…

Romance!

My first suggestion in the Romance category is Totally Folked by Penny Reid. She’s a fantastic writer and a very cool person, and while I haven’t read all of her books, this one looks like fun. I’m always here for intelligent characters acting naughty and falling in love. (lol!) Totally Forked doesn’t come out until July 20th, which’ll be great timing for a late summer getaway!

For those of you who like historical romances, I can absolutely recommend The Labours of Lord Perry Cavendish by Joanna Chambers. It’s actually the 4th book in her Winterbourne series, but it’s the first featuring a pair of side characters from the earlier books, so it reads like a stand-alone. If you’re intrigued by the idea of a Regency cinnamon roll hero falling for a fussy artist, this is your book!

Urban fantasy!

Urban fantasy series make good beach reads because they definitely take you to an altered version of reality and they’re spooky but not too scary. Tbh I haven’t stumbled on a new UF series in a while, so I’m going to recommend a classic of the genre. The Hollows series by Kim Harrison features the witch Rachel Morgan and a whole host of other paranormal creatures. The worldbuilding for the series is complex and interesting, and I’m still angry about a certain death which tells you how real these characters are to me. Highly recommend!

And while we’re at it, my fellow Scribe Shauna Granger writes urban fantasy-adjacent stories. Check out her Elemental books or her Matilda Kavanaugh series, because girlfriend knows her way around the paranormal and her books are a whole lot of fun!

Mystery!

Are you into podcasts? One of my favorites is Shedunnit, by Caroline Crampton. She’s a huge fan of Golden Age mysteries, books that were written between WW1 and WW2. (Think Agatha Christie and Dorothy L Sayers and other authors of their era, and you’ll be right on.) The podcast slices and dices all angles of those Golden Age books, and I generally end up hitting Amazon or Powells Books after each episode. (lol!)

Somehow I managed to get to a fairly advanced age before reading my first Lord Peter Wimsey book, and I regret not having started before now! Whose Body is thoroughly entertaining, and an excellent introduction to both the character and to the Golden Age sub-genre. I also really liked Patricia Wentworth’s The Black Cabinet, because her language is so good and the characters are so vibrant. Spend your vacation getting busy with the classics!!

Horror!

Okay, so, is there a better time to read a Stephen King novel about a beach then when you’re actually on a beach? I don’t think so. (lol!) I’m too much of a wimp to read Stephen King any time, anywhere, but for those of you who are braver, Duma Key is an excellent choice…especially if you happen to be on a beach in Florida.

(And fwiw, my fear of SKing stems from having read The Shining while living in a big old house with lots of shadows and creaking floors and whatnot, during November when the sun sets before 5pm. This was in 1980. I promised myself I’d never do that again, and I’ve kept that promise!)

So there you have it! Books I’ve read, books I’m going to read, and books I’m terrified of reading. (lol!) I hope you have plans for a vacation this summer, and even if it’s not on the beach, that you’ll have some time for a relaxing read!

Leave me a comment with your favorite beach read. I’m always up for suggestion!!

And fyi, click HERE to check out the ConTinual Facebook page. There are all kinds of panels and discussions about books & reading, and while our beach reads panel isn’t up yet, there are lots of others worth watching.

Write Something That May Change Your Life

Real Talk: as the mom of a six month old, I haven’t yet found any kind of rhythm when it comes to writing. I promise myself that the second she goes down for a nap, I’m going to jump right on my laptop and pound out a few hundred words. But realistically, there are so many things I feel like I have to do around the house or for basic self-care that writing often falls all the way to the bottom of the priority pile. What I do have time for–between marathon feeding sessions and contact naps–is reading. My Kindle has been getting a real work out lately. But as someone with a back-log of story ideas, it can be frustrating to exclusively read other peoples’ stories when I kind of wish I had time to work on my own.

Then, the idea struck me: what if I peppered some craft books into the mix? Then I would at least feel like I was preparing or honing my skills for when I finally had the time to write. The only question was, which craft books? I’ve already read Save the Cat by Blake Snyder, Story Engineering by Larry Brooks, The Hero’s Journey by Joseph Campbell, On Writing by Stephen King, and Romancing the Beat by Gwen Hayes. Fortunately, the answer was dropped into my lap when an author I follow on Instagram mentioned the method she uses to outline–Anatomy of Story, by John Truby.

Now, I usually approach these craft books with a hefty grain of salt. First of all, I’ve been writing for long enough to know that every author’s process is different and what works for someone else is not necessarily going to work for me. No point in trying to fit my square peg into someone else’s round hole. Second of all, a lot of the “beat sheet” methods strike me as underwhelming and a bit unspecific–I struggle with the idea that all stories “must” follow these precise structures to be successful. I want a craft book that will guide me, inspire me, and deepen my process, not boil it down to a generic three acts, seven plot points, and three pinch points.

So far, Truby’s book is that and more. I feel like I’ve been highlighting every other passage on my Kindle! But one line in particular shook me to my core, and I want to share it with you all in case it helps you as much as it helps me.

Step 1: Write Something That May Change Your Life. This is a very high standard, but it may be the most valuable piece of advice you’ll ever get as a writer. I’ve never seen a writer go wrong following it. Why? Because if a story is that important to you, it may be that important to a lot of people in the audience. And when you’re done writing the story, no matter what else happens, you’ve changed your life.

Anatomy of Story, by John Truby

Superficially, this isn’t the most novel advice in the world. It’s a variation of “Write the book you want to read.” But for me, that last line gave me chills. Because it shifts all of the focus from the external outcome to the internal outcome, which is something I’ve struggled with since the very first query letter I sent out into the world. From the moment I decided to “become an author,” I’ve grappled with what success could and would look like to me. Getting an agent? Getting a book deal? Hitting a best-seller list? Selling a million copies? I found that I could never define what success would look like, and whenever I did manage to hit a milestone, I found my own goal-posts had already moved.

In the past few years I’ve tried to shift that focus back to the internal, but it’s harder than it sounds. Even when I tell myself that I’m just writing something for me, or just writing the book I want to read, or just writing for fun, the fact of the matter is that writing books will never just be a hobby for me again. I’ve sunk years and tears and too much love into this career to never try to publish another novel. So how do I balance those external expectations with those internal motivations?

I think that’s why this advice from Truby resonated with me so much. He’s not telling you to simply write for fun, or for yourself. He’s not even telling you to write the book you want to read. He’s encouraging you to do so much more than that–he’s encouraging you to write the book that may change your life. He’s asking you to dig so deep, work so hard, and aim so high that the end result will literally transform you.

I find this idea daunting, but so inspiring. No one–not a craft book, not a friend, not a mentor, not even myself–has ever asked so much of me. So I’m going to try to follow his advice. The story I write may not sell a million copies. It may not hit any bestseller lists. It may not even get published.

But what does any of that even matter if I’ve changed my own life?

Promo for Authors

A necessary evil, or The Monster That Ate Your Dreams?

I’ll let you decide which one is social media and which is the hapless author…

I got an email this morning from an author who regularly coordinates book promotions and invites all her friends to participate. Today’s email included a link to a Facebook page for authors who are interested in building a supportive LGBTQ Romance community on TikTok.

Oof.

She had me until she got to that last word. I mean, I know TikTok is a thing, and I’ve heard it’s a great way for authors to connect with new readers. I even know a couple of authors who have made the leap and are TikToking away.

So far, I have not joined them.

See, if I draw a line connecting the authors I know who have jumped on the TikTok wagon, I find a couple of common traits. They’re either full-time authors, or they’re younger than me. Or both.

I shared a link to the FB page with my writing partner Irene, and after some discussion, we decided we were both undecided. (Lol!) She recently met The Gang* for happy hour (*a group of her author friends) and one was all excited about the new platform and shared a bunch of popular hashtags.

I feel like we’ve been invited to join an exclusive club with secret codes and everything.

The thing is, though, Irene and I both have fairly demanding day jobs and are trying to fit this writing thing in wherever we can. And honestly, my goals for 2021 included things like “publish 4 novels/novellas” and “study writing craft through books and classes” and “recruit agents & editors for this fall’s Emerald City Writers’ Conference”.

Nowhere on my goal list was there anything about conquering a social media platform that was invented like fifteen minutes ago.

Part of my reluctance stems from the fact that, while TikTok may well connect me with new readers, I wonder if they’ll be my readers. One of the basic lessons in book promotion has to do with knowing your audience and identifying your target reader. While I know readers don’t always conform to a predictable demographic, I’m also pretty sure that the readers I’m trying to reach skew a little bit older than what I imagine for the TikTok crowd.

Of course, I’m basing this on a guess, because my experience of TikTok is the occasional silly clip my kids share or that I stumble over on Twitter. And they do make me laugh. The people who excel at the format are really, really clever.

Hmm. Maybe deep down, I’m worried that nobody will want to see a grey-haired old lady trying to be funny when all she wants to do is finish the damned novella for the August giveaway and get back to work on Benedictus (Hours of the Night book 3).

As usual with one of my writing posts, I start with a title that suggests I know something about a topic and then proceed to rant for five hundred words, leaving you with a heartfelt suggestion. And today’s suggestion?

You’re going to have to figure it out for yourself.

I don’t say that just to be snarky. (Okay, maybe a little snarky, but mostly not.) Because another basic rule of book promotion is to be authentic. If you like Twitter (bless your heart), tweet away. (Lol! Joking. I’m on Twitter daily.) If FB is your thing, focus your content efforts there. There are about a bazillion ways to promote your books – promos and giveaways and the like – and while some are expensive (Bookbub) others only cost you the time it takes you to write the book and put it out there.

And if TikTok is your thing, leave a link to your page in the comments. Can’t promise I’ll join you there, but you never know…

And just to prove me n’ Irene can change with the times…do you Radish?

Earlier this month, Irene and I republished Vespers (m/m vampire romance with a 100-year old monk and his college grad demon-fighting assistant) on Radish, the serial reading app that’s optimized for your phone. Vespers is now called Vampire’s Sin, and we fancied up the cover (b/c we had to get rid of the text) and you can download the first six episodes for FREE to see if you like it. Click HERE to see more!

Best (and Worst) Fantasy Adaptations

The big news in the world of fantasy right now is a little Netflix show by the name of Shadow & Bone, based on Leigh Bardugo’s best-selling novels. I’ve only watched a few episodes so far, but it’s got me thinking a lot about book adaptations, specifically of the fantasy variety.

Everyone knows the book is always better than the movie. But with a recent spate of fantasy novel adaptations hitting both the big and little screens, directors and show-runners are putting that adage to the test. 

It’s always both exciting and nerve-wracking to have your favorite series adapted for the screen. There’s a delicate balance between staying true to the source material and creating something that stands on its own. Who will be cast in the main roles? Will the author of the books be brought on as a consultant to the script? Will the ambience of the books translate to the screen? Sometimes an adaptation works wonderfully, existing as something both complementary to the source material and as its own new and beautiful piece of art. And sometimes…well, not so much. 

Read on for my favorite book-to-screen adaptations (and a few that didn’t quite hit the mark).

Best—Good Omens

This BBC mini-series is based on an irreverent, hilarious take on the Book of Revelations co-written by Terry Pratchett and Neil Gaiman. I was skeptical anyone would be able to capture the tone and particular brand of humor contained in this book, but I was thrilled to be proven wrong. With on-point casting and a bomb script, this series had me laughing, crying, and wondering how soon was too soon to rewatch it.

Best—Witcher

Another Netflix show which released just over a year ago, Witcher is based on the books of Polish author Andrzej Sapkowski, and the video games which were also inspired by the books. Which is like…a Turducken of fantasy adaptations! Following the parallel stories of Geralt of Rivia, Princess Cirilla, and a sorceress named Yennefer, the show offers complex plot lines, tightly-choreographed action scenes, and just enough humor to keep me entertained (in the form of one hapless bard named Jaskier). I binged this in less than a week and couldn’t get the viral hit, “Toss a Coin to Your Witcher” out of my head for months.

Worst—City of Bones

The fandom surrounding Cassandra Clare’s Mortal Instruments series is massive. And rightly so—her books are famous for witty banter, forbidden romances, and sprawling casts of deeply drawn characters. Unfortunately, the movie adaptation of her first book didn’t really work for me. Despite a stacked cast—including Lily Collins, Lena Headey, and Jonathan Rhys Meyers—this movie felt bizarrely paced. With only two hours of runtime, the characters weren’t fully fleshed out, and many plot points seemed to come from left field. Definitely a case of a book being better than the movie.

Best—Shadowhunters

Bear with me—this TV show (airing on FreeForm) was based on the very same Cassandra Clare series as City of Bones. Although it took a few more liberties with the source material than the movie, this show was far better able to capture the breadth and tone of Clare’s series. With multiple episodes and seasons, both the main characters and side characters were able to have satisfying development arcs. The slow-burn romances were given time to develop, which made for better emotional pay-offs. Plot-points had time to play out. And although the supernatural effects sometimes seemed a little silly, it didn’t matter because I was so invested in the stories. Sometimes, a book adaptation needs longer than two hours to work.

Worst—the Hobbit

…And sometimes, it really doesn’t. Flush with success after the epic Lord of the Rings movies, Peter Jackson inexplicably decided to turn one of J. R. R. Tolkien’s shorter books into three movies, for a total of nine hours runtime! Where the book is a perfect balance of action and exposition, the movies are overstuffed with additional characters and unnecessary plot lines. Sometimes an adaptation feels like a labor of love…and sometimes it feels like a cash-cow. 

Best—Stardust

Another Neil Gaiman adaptation! This movie follows a young man named Tristan who journeys into a strange otherworld in search of a fallen star. However, when he finds the star, he discovers she is in fact a beautiful woman—and he’s not the only one hunting for her. With a star-studded cast—Claire Danes, Robert DeNiro and Michelle Pfeiffer all have starring roles—and a beautiful, enchanting world, this movie is an absolute delight. While it does have some darker elements, in many ways it manages to capture the light-hearted, swashbuckling romance of classics like A Princess Bride and Ladyhawke. And yes, the chemistry between the two romantic leads is undeniable.

Best—The Magicians

So technically, I haven’t actually read Lev Grossman’s titular book series all the way through. But I love this Syfy show adaptation too much to leave it off the list. It’s like the grown-up, hallucinatory love-child of Harry Potter and Chronicles of Narnia. The story follows Quentin Coldwater after he’s accepted into the magical university of Brakebills, and discovers the magical kingdom of Fillory he read about as a child is not only real, but is home to a murderous, faceless Beast bent on controlling magic. With me so far? Good. Because with a well-drawn and diverse cast of characters, smart and snappy dialogue, fascinating magic systems, and original world-building, this show is everything. It reminds us, as readers and writers of fantasy, that magic is messy, dark, chaotic, and wonderful.

It also has numerous musical episodes. And fickle gods. And creepy faeries. And sentient ships. And bad-ass queens. And pocket timelines. And…okay, I’ll stop now. JUST WATCH IT, OKAY?

What fantasy book adaptations are your favorites? Or least favorites? Share you thoughts in the comment section below!

New Release and ALL the Giveaways!

That cat is me this morning. I’ve got the day-before-release-day spins. There’s *this* to do and *that* to do and omg I forgot something else!! Please may I have an extra few hours today….like maybe 24 extra….?

It’s clear that I haven’t figured out how to balance the writing with all the non-writing parts of being an author. I find it awfully easy to get caught up in the networking and blog posting and promo-joining and whatnot. There’s also the editing and the formatting and the cover arting and the teaser-making. It all sucks up so much time! This last couple weeks I’ve been spending just about every free moment on something to do with publishing – and some not-so-free moments, tbh – and I haven’t written a new word in all that time.

Yikes.

But enough about me. (LOL!) You’re here for the new release and ALL the giveaways, right? I’m pretty excited about this book. It’s different from our other Irene&Liv books, but it’s still us. In a good way. Frog is part of the Royal Powers series, a shared-world series about an imaginary country on the coast between France & Spain, with two mythical royal families who also happen to possess superpowers. When they invited us to contribute, we couldn’t say no to a premise like that, and it was a whole lotta fun to play in that world.

You can find Frog HERE! It’s $3.99 or FREE with KU!

Here’s the blurb...

Spy vs Spy

Jim Calhoun and his sister Lori are just two Americans in North Abarra exploring their roots. They are definitely not off-duty CIA agents.
Enzo da Silva is the head groundskeeper on Princess Odile’s country estate. He is definitely what he seems to be – the guy who trims the hedge maze and measures oxygen levels in the national forest.
The Princess’s birthday bash is a major celebration every year. As the big day approaches, a series of accidents plague the preparations. It’s almost like someone wants things to go wrong. But it’s not as though two commoners like Jim and Enzo – with absolutely no super powers – can stop a rogue supervillian.  And if Jim and Enzo keep showing up at the same crime scenes, it’s not because they can’t keep their eyes off each other.
Definitely not.

Did I mention you can find Frog on Amazon? It’s $2.99 or FREE with KU!


To celebrate the second season of the Royal Powers series, all of the authors got together for a SUPER BIG giveaway! The prize is a $75 gift card plus books from all the authors, and you can find the rafflecopter widget HERE. (Irene and I are also running our monthly giveaway for a $10 gift card. The rafflecopter widget for that one is conveniently located on the same page.)

Click HERE to get to the GIVEAWAY!

And finally, I joined another multi-author giveaway! One lucky winner will win a bundle of prizes including 2 x $5 gift cards, 8 x backlist ebooks, 1 x swag bundle, 1 x audiocode, & a signed paperback! Here’s a list of some of the participating authors:
RJ Scott, H.L Day, Clare London, Davidson King, Susan Scott Shelley, Liv Rancourt (that’s me!), A.D. Ellis, Elle Keaton, Anne Barwell, Avery Cockburn, Mel Gough, Jay Hogan, and Elizabeth Noble.

A bunch of the authors have freebies over on bookfunnel. You can find them here!
And go here to enter to win the grand prize!!

GROUP1 twitter.jpg

Thanks so much for reading along!!

On the pursuit of dreams…

I’ve been watching a ridiculous amount of tennis. Might be a strange opening line for a writing-related blog, but hang with me for a minute. It’s Australian Open season, which is a great tournament for someone who works night shift because ESPN and the Tennis Channel broadcast the matches live. Given the 17-ish hour time difference between Seattle and Melbourne, I’ve watched some fantastic tennis at three am.

In part, I consider it research, because some day I’m going to write a tennis romance. If for no other reason than because I find Stefano Tsitsipas (above) to be so very inspiring.

Following an entire tournament if fun, too, because of all the different storylines. Early on there are so many players and so many matches. I can root for favorites, see who’s playing well and who’s fighting injury and who’s mental game has gone to Mars. Over the two weeks of the Open, the numbers drop, the tennis gets better, and the matches more intense.

Are there any young players on the men’s tour who can beat one of the Big Three (Federer, Nadal, & Djokovic)? Will Serena win her 24th major? Four of the final 16 women in the Aussie Open are American. How did we end up with so many fantastic players?

And what about Aslan Karatsev, the 27-year-old Russian qualifier who’s the first man in the Open era to reach the semi-finals of a Grand Slam tournament in his debut? Wouldn’t it be cool if he made the finals?!

The thing that fascinates me – and the element I find most intimidating when it comes to setting a story in the world of pro tennis – is the amount of focus and self-discipline it takes to reach that level. I can play tennis; well, I know which end of the racket to grab anyway, but I don’t think I’ve ever dedicated myself to anything so completely.

When I was a kid, I was on swim team, and I dreamt of making the US Olympic team. I worked my butt off in practice, but somewhere along the way (ahem, high school) I got distracted. Never made the Olympics, but I did do the Waikiki Roughwater Swim, which was a 2.8 mile race off Waikiki Beach. Finished in the top fifty women, too, so some of my discipline paid off.

Later, once I found my feet as an adult, I decided I wanted to sing. I studied voice and sang in choirs and with bands, everything from the blues and rock to Mozart and Gregorian chant. When I brought my oldest kid to the pediatrician for the first time, I asked about bringing a baby to band practice. I did, too, both kids, protecting their ears with wax earplugs held in place by headbands. I’ve also known the unique pleasure of stepping onto the church altar to sing a little Renaissance Christmas ditty with a trio, only to see my then-three-year-old engage in some experimental dance between the altar and the first row of church pews.

I might never have made the finals of American Idol, but over the years I learned a lot about myself, and a lot about music.

And for my next trick...

I always knew I wanted to be an author, and about ten years ago I decided I better get my act together or it was never gonna happen. You might have heard this story already, so I won’t go into too much detail. I started writing, studying how to write, going to conferences, taking classes, and connecting with other authors. I published my first book just about nine years ago and my next release – a novella I co-wrote with Irene Preston – will be number eighteen.

I might not have the level of dedication required to play tennis on an international stage, but making the New York Times bestseller list isn’t completely out of reach. Honestly, though, I seem to have put together a pretty decent life without actually getting what I think I want.

There’s probably a lesson in there somewhere...


This is my first blog post since August, and I’m SO happy to be back with the Scribes!! I’ve had two recent releases and Irene and I have a new one coming in early March, so I thought I’d share the pretty covers. Well, two pretty covers and a teaser.

So much paranormal fun…

There’s nothing scarier than the truth…

Find HARROWED here!

Fusing copper, gold, and moonlight creates the strongest bond.

Find SOULMATES here!

Me n’ Irene are still keeping secrets. Join our readers group, After Hours with Liv & Irene, for more details!

Music Makes Me Write

We’ve all talked in the past about what kind of writing rituals we have, ones that we just enjoy to give ambiance to the experience and others that we have trained ourselves to use to make writing easier.

For me, I have my preference of when and where to write (mornings, in my office), but if I have to make adjustments to that (my office gets unbearably hot in the summer), I can adapt and write at different locations and times if I need to get my words in.

But my trained ritual is music. For every book, I take time to curate the start of a playlist–a soundtrack–for the book. I do try to get at least forty minutes of a playlist before I start so that it doesn’t start repeating on me too soon. But repeating is part of the magic of the right playlist too. Like the chanting refrain of a spell, hearing the same key songs again and again will help me get the story on the page.

If you get the music just right, it will conjure the characters and/or location of the book in you mind when you hear specific songs even outside of writing. Sometimes I even put one song on repeat for an hour because it has the magical words that are working when no others are.

I like to keep building on a list if a book is a series, so I can hear the different voices of the different characters in the cast. I also like to throw in some instrumental tracks to help when I’m building tension in different parts of the book.

I managed to get my Ash and Ruin Soundtrack up to two hours and forty-five minutes.

https://open.spotify.com/playlist/4TUKR4rCv8Av2k2rRqhxkd?si=Pj9bw5frSJmOi-s6WPE1aA

I can open that and am instantly transported back to my post-apocalyptic world teeming with black-cloaked monsters.

Surprisingly, my Wytchcraft playlist is shorter than my A&R soundtrack. I say surprising because that series is much longer, but that world is much smaller in a way as it’s not a journey story like A&R. And, while there is a cast of characters even bigger in this series, it really is mostly about my MC, Mattie, so the music is mostly for her and to be in her head.

https://open.spotify.com/playlist/3epr0YSBEjn7ccUvQgOfTA?si=CUIvy8fZQAq1BSUfNoX5hQ

I have shared that I also have a pen name, Leila Bryce Sin, and under that name I write completely different stories (coughcoughveryadultthemescoughcough). So I definitely make sure that music is different, but one theme you’ll find throughout my playlist is strong female voices. I love a good power ballad sung by a woman that I want to be for five minutes. It’s a special kind of storytelling and I fucking love it.

My Brimstone War Trilogy was set in Las Vegas so it needed music to evoke that special city for me and it featured a war between heaven and hell, so it needed a lot of angry music. It’s quite the hodgepodge, I know, but it worked for me through three intense books.

https://open.spotify.com/playlist/142r4gSfvwqPwS0z7jeVGm?si=KxYY45UeSjWnloq64F2oRA

Now, I have two playlists that aren’t tied to any one book; they’re soundtracks I can go to no matter what book I’m writing and it’ll help unlock a door in my mind like no other playlist can. Sometimes you  just need intense emotions and music, pushing you forward as your characters run for their lives or fight to the death. Or the right creeping melody to help you curl your spine and sink into  the cushions, hoping to drag  your reader into the tense, scary darkness  you’re weaving.

Soundtracks: https://open.spotify.com/playlist/5F26qJIXsZ87hIx2q62shz?si=ruUaORORRnKMJfjU6VwC2A

Instrumental: https://open.spotify.com/playlist/24uUYnObN6uUBZR4suO8Ig?si=EiL6GDS8Qmy6UX_RnrcoYA

You probably notice there are the same artists on the different lists, even some of the same songs, and that’s because those artists really speak to me. I do tend to write slightly damaged, a little bit angry women as my main characters, so a lot of the same songs work for all of them. Or for me. Whatever. The Pretty Reckless, Kaleo, Ellie Goulding, Halsey, and Florence and the Machine are some of my touchstones no matter what I’m writing. Finding those voices for yourself could really help you if you find yourself stuck in getting through tough scenes.

Personally I love to find new music. It’s something I’ve always loved since I started figuring out what music I like. I can spend whole days getting that playlist started before I put fingers to keys, creating the vibe and ambiance I want to portray in a story. Ritual really is the only word for it. So, I hope sharing some of these lists with you, helps you find new sounds and voices that help you with writing.

(P.S. I did have this all set up super cool where you could see the playlist in the post but for whatever reason, WordPress is being a complete butt. So if you can’t see the playlists, I’ve included links. Not nearly as cool, but what are you gonna do?)

What kind of reader are you?

It seems to me there are two kinds of readers. Those who MUST FINISH EVERY BOOK they start, and those who will drop a book like a hot tomato if they’re not impressed.

I’d hazard a guess that it’s impossible for one group to understand the other’s point a view. (lol)

I’m definitely in Camp Drop-it-if-it-sucks. Ouch. That sounds kinda harsh, but Camp Drop-it-if-it’s-not-working-for-you doesn’t have the same rhythm. And you know how I am about rhythm.

(Jump HERE if you want to read my post about rhythm in writing.)

This post was prompted by a chat I had recently. My friend Sheryl messaged me about a book she was reading, a contemporary romance where the author seriously misjudged how real life works. I don’t want to point fingers at any particular author, so let’s just say that most bands don’t make enough money for each member to have their own touring bus.

Even Mick & Keith have to share, y’all.

That’s the kind of error that would make me doubt every other word the author put on the page. It turns on my inner editor, and once she starts, there’s no way I’m going to be able to relax and enjoy the rest of the book.

Factual errors might be the biggest bump for me – like the book where the heroes went home to Canada in late November to celebrate Thanksgiving.

Um….Canadian Thanksgiving is in October.

Then there was the book where a character was supposed to be in a hospital on a ventilator and he had a conversation with another character. Can’t be done, but for some reason I kept reading that one and mostly enjoyed it.

I could come up with other examples, though to be honest, I’m guilty of a mistake or two myself. One of the reviews for my book Aqua Follies pointed out that Skip could not have worked at the Everett Boeing plant in 1955, because that site didn’t open until the late ’60s.

Oops.

My friend Sheryl says she’s going to finish the book that prompted our chat, because it’s one of a series and she wants to see it through. Others might say they want to finish out of respect for the author’s work, which I can’t really argue with.

Still, I pretty much adhere to Nancy Pearl’s Rule of Fifty. For those of you who haven’t heard of Nancy, she’s a librarian and best-selling author, and her book reviews on NPR have guided many readers for years. (Jump HERE to see all her books.)

Nancy’s Rule of Fifty goes something like this…

Give a book 50 pages. When you get to the bottom of Page 50, ask yourself if you’re really liking the book. If you are, of course, then great, keep on reading. But if you’re not, then put it down and look for another….And if, at the bottom of Page 50, all you’re really interested in is who marries whom, or who the murderer is, then turn to the last page and find out. If it’s not on the last page, turn to the penultimate page, or the antepenultimate page, or however far back you have to go to discover what you want to know.

The Globe & Mail, 2/4/11

Even better, she’s modified her rule for those of us over the age of 50. It’s a variation of “So many books, so little time” (Which is apparently a Frank Zappa quote. The things you learn on google!) If you’re over 50, subtract your age from 100 and that’s the number of pages you get to read before deciding whether or not to put the book down.

By adhering to this rule, I mean no disrespect to authors. If you start one of my books and it’s not working for you, you have my permission to put it down and pick up something else. Scan the Amazon or Goodreads reviews for any book, and you’ll see a range of opinions. The same book might get 5-star reviews from some and 1-star reviews from others.

Reading should be fun and moving, and it should feed your soul. I mean, it motivated Sheryl to message me because she cared enough about the book to want to talk about it.

Life’s too short to read past page 42 if the book’s a clunker. One person’s clunker is another’s lifetime top ten.

Which type of reader are you?