Writing the Unknowns Back into History

March is Women’s History Month. As longtime readers of this blog know, women’s history is my jam, so I felt like I couldn’t let this month’s post go by without talking about it. But I want to come at it from a slightly different angle than I have before. I apologize right now if this post sounds self-serving but this is my soapbox as of late.

I’ve set myself up on a hard path as an author because I write about people no one has ever heard of. People are naturally leery of what they don’t know or understand and thus less likely to take a chance on a book whose subject they don’t already recognize. And that can be a depressing prospect when you’re trying to write a book while balancing everything else in life. However, I am committed to sticking to my mission of shedding light on the stories of unknown women.

As we are all aware, history has been written, by and large, by white men. And it has been reduced to a handful of “marquee names,” leaving out even the influence of many important white men, not to mention women and people of color. That is a tremendous loss for us and for what we believe to be true about our nation. Yes, George Washington, Abe Lincoln, Susan B. Anthony, Elizabeth Cady Stanton and Harriet Tubman are important. But much like Hollywood and its never-ending love of sequels and reboots, if we don’t contribute something new to history (or in my case historical fiction), we won’t ever learn anything new, just keep hashing the same old points over and over. Without a variety of perspectives in our history, we are looking back on a false, or at best incomplete, record.

History is anything but homogeneous, so our books about it should reflect diversity. Where are the stories of the women who supported the great men we read so much about? Where are the overlooked and uncredited women? (Hidden Figures was a great start, but there are so many more.) What about the LGBTQIA women who risked their lives by being who they were in an intolerant nation? Where are the stories of the strong women who survived natural disasters, poor harvests and plague (1918 Spanish Flu, anyone?) to go on to either do great things or just lead quiet lives? I’ve learned through my research that there are so many amazing stories that we don’t learn about in school and readers deserve the chance to know about them, too.

Every now and then an untold story breaks out. As Hamilton has shown us, there were other key men fighting for America’s independence and shaping the new nation, just as there were other people fighting for abolition, women’s suffrage and conducting the Underground Railroad. It is wonderful that we have our idols to look up to, but we shouldn’t limit our learning to just their stories. When that happens, we miss out on the rich tapestry that made our history happen. Just as it hasn’t been one person or even a council of people who have helped us get to what I hope is the end of the COVID-19 pandemic, not a single person made any other event in history happen. Thousands of people, many of them women and people of color, contributed to abolition. But we only remember the loudest handful of voices. What about everyone who supported those four or five icons or those whose stories are tread over completely in favor of the well-known names?

I believe in widening our history, not narrowing it down. I want everyone to know about the 15-year-old girl named Claudette Colvin, who refused to move to the back of the bus, months before Rosa Parks got the glory for doing the exact same thing. I want people to be riveted by the story of Ida Tarbell, the journalist who created modern investigative journalism in the early 1900s with an expose on Standard Oil, even though Julius Chambers and Nellie Bly are often credited with that feat. (I love me some Nellie Bly, don’t get me wrong, but her methods were different than Ida’s, whose are much closer to the ones still used today.) And I want people to read the stories of women of color–Black, Asian, Native American– and the spouses (gay and straight) who contributed to the women’s suffrage movement. Those stories alone would go a long way toward giving us a more complete picture of our history, of who we can and should admire and what we can do in our own lives to change the course of history.

But it is difficult to make people change. It’s easier and less risk to reach for a book about a person or from an author you already know and love. I do it just as much as the next reader. As an author, the only thing I can tell myself is to just keep going. Flood the market with as many books about unknowns as I can. And should that mean I will have to keep self-publishing and accept that I won’t ever be rich from my writing, so be it. But I can also hope that, not unlike Hamilton, one of my unknowns will take off and change everything.

New Release and ALL the Giveaways!

That cat is me this morning. I’ve got the day-before-release-day spins. There’s *this* to do and *that* to do and omg I forgot something else!! Please may I have an extra few hours today….like maybe 24 extra….?

It’s clear that I haven’t figured out how to balance the writing with all the non-writing parts of being an author. I find it awfully easy to get caught up in the networking and blog posting and promo-joining and whatnot. There’s also the editing and the formatting and the cover arting and the teaser-making. It all sucks up so much time! This last couple weeks I’ve been spending just about every free moment on something to do with publishing – and some not-so-free moments, tbh – and I haven’t written a new word in all that time.

Yikes.

But enough about me. (LOL!) You’re here for the new release and ALL the giveaways, right? I’m pretty excited about this book. It’s different from our other Irene&Liv books, but it’s still us. In a good way. Frog is part of the Royal Powers series, a shared-world series about an imaginary country on the coast between France & Spain, with two mythical royal families who also happen to possess superpowers. When they invited us to contribute, we couldn’t say no to a premise like that, and it was a whole lotta fun to play in that world.

You can find Frog HERE! It’s $3.99 or FREE with KU!

Here’s the blurb...

Spy vs Spy

Jim Calhoun and his sister Lori are just two Americans in North Abarra exploring their roots. They are definitely not off-duty CIA agents.
Enzo da Silva is the head groundskeeper on Princess Odile’s country estate. He is definitely what he seems to be – the guy who trims the hedge maze and measures oxygen levels in the national forest.
The Princess’s birthday bash is a major celebration every year. As the big day approaches, a series of accidents plague the preparations. It’s almost like someone wants things to go wrong. But it’s not as though two commoners like Jim and Enzo – with absolutely no super powers – can stop a rogue supervillian.  And if Jim and Enzo keep showing up at the same crime scenes, it’s not because they can’t keep their eyes off each other.
Definitely not.

Did I mention you can find Frog on Amazon? It’s $2.99 or FREE with KU!


To celebrate the second season of the Royal Powers series, all of the authors got together for a SUPER BIG giveaway! The prize is a $75 gift card plus books from all the authors, and you can find the rafflecopter widget HERE. (Irene and I are also running our monthly giveaway for a $10 gift card. The rafflecopter widget for that one is conveniently located on the same page.)

Click HERE to get to the GIVEAWAY!

And finally, I joined another multi-author giveaway! One lucky winner will win a bundle of prizes including 2 x $5 gift cards, 8 x backlist ebooks, 1 x swag bundle, 1 x audiocode, & a signed paperback! Here’s a list of some of the participating authors:
RJ Scott, H.L Day, Clare London, Davidson King, Susan Scott Shelley, Liv Rancourt (that’s me!), A.D. Ellis, Elle Keaton, Anne Barwell, Avery Cockburn, Mel Gough, Jay Hogan, and Elizabeth Noble.

A bunch of the authors have freebies over on bookfunnel. You can find them here!
And go here to enter to win the grand prize!!

GROUP1 twitter.jpg

Thanks so much for reading along!!

Using current events in fiction.

Photo by Warren Wong on Unsplash

Pandemic. Lockdown. Quarantine. Protest.
#BlackLivesMatter. #DefundThePolice. #WearAMask.

Think back to the Before Times – you know, like last February. Did any of these terms and hashtags resonate? #BlackLivesMatter is the only one I’d heard of, but now we have this whole new vocabulary.

And it’s….awkward.

I know many authors are struggling to get words on the page, and others who are no longer struggling, because they’ve given up. It’s just too hard to tap into their creativity when it feels like the world is falling in around them. I’ve also seen debates on social media about the appropriateness of writing quickie quarantine romances to try to capitalize on our new reality.

Kinda gives the “forced proximity” trope a whole different spin.

For discussion’s sake, let’s say you do have the spoons to write, but you’re wondering how much of our current quagmire should make it on the page. As a first step, it might be worth considering what people want to read. Maybe they do want that quickie quarantine romance. Or maybe they want Shauna’s fantastic dystopian Ash & Ruin series or any of the books on this Goodreads list of Current Events Fiction.

Or maybe they want something as far from reality as possible. (How ’bout hot&naughty elves? Kasia Bacon‘s Order series – starting with The Mutt – is a whole lot of fun.)

But, some of you might say, if I write about current events, my book might soon feel dated or people will forget what happened. Those are valid points, but I like this rebuttal by Brandi Reissenweber in an article from The Writer Magazine:

Keep them (current events) fresh and meaningful long after they’ve passed in the same way you keep any events in your fiction fresh and meaningful: Lash them with urgency to the experience of one or more characters.

For example, I found one of the best descriptions of New Orleans during Hurricane Katrina and its aftermath in Royal Street, the first book in Suzanne Johnson‘s Sentinels of New Orleans urban fantasy series. Not only did the author nail the details – she lived in NOLA during Katrina – but her characters had a life or death stake in the events, which made for a real page-turner.

One thing to consider, though, is that Royal Street was published in 2012, about seven years after Katrina. I’ve never asked, but I’d imagine it took Suzanne some time to organize her reactions to the disaster in a way that made sense. In a WaPo article that speculates on what post-pandemic fiction will look like, Chris Bohjalian makes a useful comparison with post-9/11 fiction. He points out that it was 2005 before the serious novels dealing with 9/11 began to be published.

….it took novelists a little more time to shape the nightmare into a story. After all, how do you make something up when the truth is so unspeakable? So wrenching?

Good questions.

The pandemic, with the horrific costs associated with it, is at least as profound an event as 9/11, with arguably greater consequences. The concurrent shifting social paradigms around race and racism are equally significant, though I’d caution all writers who want to explore those issues to make sure the story is theirs to tell. It’s going to take years for creatives to wrap their arms around this phase in our history, and there may be some who’ll never be able to revisit this time, even in fiction.

Is there territory between a quickie something-something that grabs the headlines and runs, and a deep and thoughtful examination of our lived experience? I’d argue that there is. One of the series I’m co-writing with Irene Preston features a character who used to be a cop but quit the force. In part because of that character, I’ve made an effort to read about the whole #DefundThePolice movement and those ideas are definitely influencing his backstory.

Times are hard, and I’ve got it better than most. The stress, the isolation, and the endless conflict have to color what we’re able to create, if not squash our creativity all together. Take care. Be gentle with yourself. Use the grist of these days in any way that makes sense to you.

And wash your hands.

(In his WaPo article, Chris Bohjalian mentions several books on 9/11 that he considered “important”. Here’s another link to the article in case you’re curious.)

New Release: Hate Jacket by M. Andrew Patterson

Hello my darlings, I hope you’re all staying safe, wearing your masks, and washing your hands. Please don’t end up an infamous internet sensation because you won’t use curbside service or wear a mask. But, if you’re here, I’m sure I don’t need to tell you. Moving on!

So, this week, we’re lending our blog to help boost the voice of a friend who has their debut novel coming out! So exciting!

We’ve got an awesome cover reveal, blurb, AND pre-order links to share with you today. Is it tacky to say the cover is awesome if I helped create it? Well, if it is, then I’m tacky af.

I gotta say, I’ve had quite the creative block for some time now and when I Kool-Aid-Man’d my way into helping Drew with his cover (no, he didn’t ask, yes, I just said “HEY LOOKIT I MAKE THINGS! DO YOU LIKE IT?”) it really shook something loose inside of me. I actually enjoyed making something again. So as much as I wanted to help a debut author, because goodness knows I’ve been there, I am grateful I got to do this for myself too.

I remember Lyra once talking about getting past a creative block by doing something other than your normal art and you know? I think she’s on to something!

Now, without further ado, I give you, Hate Jacket by M. Andrew Patterson!

Coming August 11, 2020 — Pre-orders available now!

Amazon | Barnes & Noble | Goodreads

Seventeen-year-old Julius Monroe hates his life. He hides the truth of his father’s abuse with careful lies and a kick-ass jacket that keeps everyone at bay. But Julius’ careful facade crumbles after a run-in with the school administration puts him on a collision course with his best friend’s sister and her jealous boyfriend.

But escaping the school bully and his father’s abuse isn’t his only worry. The worst monster is Lela, whose manipulations threaten to expose every secret that Julius is so desperate to hide.

When his worlds collide, Julius must make a choice. Live with the monsters he knows, or take a chance on being free.

About the Author

Andrew didn’t realize he wanted to be an author until he wrote his first words on his step-father’s Apple IIe. Fast forward 30 years and that story still isn’t finished. He keeps claiming he’ll write it…just after he finishes the four hundred other ones in his head.

Born in California, on a now decommissioned army base, Andrew then spent the next four years in Germany before moving to Kansas where he has been ever since. Coming from a long line of librarians, Andrew didn’t expect to continue the family trend. Instead, he received his bachelor’s in Music Theory from the University of Kansas in 1997. It was during that time that he ended up working in the university library as a student. He found he liked being around the old books and has been hanging around dusty old tomes for the entirety of his adult life.

After 20 years, he decided that he wasn’t leaving the world of libraries and received his Masters in Library Science from Emporia State University in 2015. But life changes and Andrew took a leap into the real world and now works as a software developer for a digital marketing firm.

When he’s not working or writing, Andrew is an avid gamer, reader, and occasional maker. He currently lives in Olathe, KS with his wife, their combined six children, and a tortoiseshell cat named Lili. She’s a princess.

Dreams Come True Even During a Pandemic!

In my last Spellbound Scribes post, I wrote about things that I am going to put on my vision board. Since then, I’ve done some Photoshopping, but I haven’t even printed the photos much less put the board up yet….and one thing has come true and another is getting really close!

Just to draw out the tension, the one that is close to happening is winning the Launchpad Manuscript Contest, which is a book-to-move contest. Daughter of Destiny is in the Top 25! They will announce the Top 10 June 30 and the three winners (and other prizes) July 16. Any good vibes you want to send are much appreciated.

Okay, on to the big news…. I HAVE AN AGENT!!

I signed with Amy Collins of Talcott Notch Literary last week! She is immediately representing the two books I’m working on now (the Minor biography and a historical fiction I’m not ready to talk about yet). Here’s the official announcement.

I’ve known Amy for a few years. We first met when she presented on marketing to the Saturday Writers chapter of the Missouri Writer’s Guild. We really hit it off during the presentation (I’m Hermionie Granger, so teachers and presenters usually love me because they know I am engaged) and through conversation at lunch afterwards. We stayed in touch online and I saw her present again maybe a year or two later at the St. Louis Publisher’s Association. Amy also hosted a lot of online workshops that I attended so were were in contact that way as well as on social media, and became friends.

I knew she was a huge fan and champion of my books, but what I didn’t know was that she was also an international rights agent. When she became a full U.S. agent earlier this month, she called me and asked if I was considering traditional publishing and if I would think about becoming her client. Why, yes, I was! We talked, I asked questions, and sent her what I have been working on. She loved it and needless to say, I said yes! (Never underestimate the power of networking…not that I could have ever predicted this.)

I really, really like Amy and she has a great reputation in the industry and in marketing, so I’m really looking forward to working with her. We’re a great personality fit and what she represents is right in my wheelhouse, so I am predicting a long and fruitful relationship with many, many book sales!

With Amy on my team, I’m officially on the come up! (I love that phrase and if you haven’t read the book by Angie Thomas of the same title, please do. It is amazing!)

Happy Pride! Top ten queer romances by POC authors

Here’s the deal. My two kids are college age, and they’re both the kind of bright, assertive young people who are gathering all over this country to demonstrate against police brutality and in support of #BlackLivesMatter. So far neither has been arrested or caught in any violence, but there have been some scary moments.

You know, I never did think to put, “Mom, I’m at a demonstration for farm workers rights and the Nazis are here and they have guns” on my short list of desired text messages.

So what do I do when the world is burning? I read romance. And how should we celebrate Pride in the year of our Lord 2020?

How about a list of novels featuring queer characters of all kinds by POC authors!

Some of these are old favorites, and some are new discoveries, and I hope you’ll find a story our two that you love, even as they draw you outside of your normal routine….

Jude LucensBehind these Doors

Behind These Doors: Radical Proposals Book 1

This books is AMAZING. It’s an award-winning polyamorous Edwardian romance that’s had incredible reviews and is just so, so good. Behind These Doors is grounded in both emotional truth and historical fact, where the harsh realities of the time period amplify the story’s sweetness and heart.

Buy Links for Behind These Doors


Holly TrentThe Plot Twist series

Holley Trent has created this fantastic trilogy of polyamorous romances that explore the ways men and women love each other. Each book features different characters and different romantic pairings, and if there’s a common theme, it’s that joy can be found in unexpected ways.


Atom YangThe Red Envelope

Cover of Red Envelope depicting a young, handsome Asian man in a suit, leaning against a wall and gazing toward to the viewer.

Red Envelope is short but lovely, and it proved to me how good own-voices stories can be. Atom Yang’s eye for detail elevated the story and made it one I remember.

Buy Link for Red Envelope
(It’s in KU!)

Cover of Tea at the End of the World depicting a handsome, young Asian man partially submerged in a white liquid with his eyes closed and face, neck, and chest above the liquid.
Haven’t read this one yet but OMG the cover!!!

Adriana HerreraDreamers Series

True confessions: I have three of these on my kindle but haven’t read them yet. I will, though! I’ve heard so many, many good things about them. Here’s a peak at the author’s blurb for the series:

The Dreamers series follows best friends— Nesto, Camilo, Patrice and Juan Pablo. Four Afro-Latinx men who came up together in the South Bronx, as they chase after their dreams and get unapologetic happy endings.

The Dreamer Series on Goodreads


Courtney MilanMrs. Martin’s Incomparable Adventure

cover for Mrs. Martin's Incomparable Adventure, an elderly woman in a blue dress with the houses of Parliament in the background

This book! I’m not quite as old as Bertrice and Violetta, but oh did they resonate for me. I laughed and I cried and I fell a little bit in love with their story. Courtney’s known for writing m/f romance, but she has a couple of stories with queer characters that are definitely worth checking out.

Buy links for Mrs. Martin’s Incomparable Adventure


Cole McCade/XenShatterproof

SHATTERPROOF: Remastered Edition: The DISSONANT Universe: Countdown -3 by [Xen]

I gotta be honest. Xen/Cole McCade is an excellent wordsmith, whether he’s writing freaky dark stuff as Xen or contemporary romance as Cole. I haven’t yet dared Shatterproof, though my writing partner Irene loved it. She also really liked The Whites of their Eyes: A collection of queer horror, also by Xen. My taste runs closer to His Cocky Valet, book 1 in Cole’s Undue Arrogance series. See? There’s something for everyone!

His Cocky Valet (Undue Arrogance Book 1) by [Cole McCade]

Buy link for Shatterproof
Buy link for His Cocky Valet
They’re both in KU!


Alyssa ColeOnce Ghosted, Twice Shy

Once Ghosted, Twice Shy (Reluctant Royals, #2.5)

This book intrigues me. It’s the only f/f story in Alyssa Cole’s Reluctant Royals series, and the cover is just so very good. Alyssa’s known for her m/f contemporary romances and especially for her Loyal League series of historical romances, which, hey, I’m a history nerd, so they’re totally my thing.

Her award-winning Loyal League series – An Extraordinary Union, A Hope Divided, and An Unconditional Freedom – are set in the Civil War era South. The characters in these m/f romances are black, and they’re strong and they’re real, and they find love.

Once Ghosted, Twice Shy on Goodreads


Talia HibbertWork for It

Work for It by Talia Hibbert

Talia Hibbert’s another author who’s better known for writing m/f romance. She has such enthusiastic fans that I was jazzed when I heard she’d written an m/m romance. But see, I do this thing where I’ll catch the buzz when a book is coming out and I’ll get all excited and preorder it and then when it finally releases I won’t want to read it because I don’t want to spoil the anticipation. Or thereabouts. Anywhoodle, I’ve had Work for It on my kindle since its release day and between that gorgeous cover and all the great reviews, I really do need to bump it to the top of the pile.

Find Work for It on Goodreads


CL PolkWitchmark

Witchmark (The Kingston Cycle Book 1) by [C. L. Polk]

Witchmark is a historical fantasy, and while it’s not technically a romance- romance, there’s a queer love story in an amongst the magic. Here’s a snippet from an enthusiastic review:

“Polk has created an amazing new world with hints of Edwardian glamour, sizzling secrets, and forbidden love that crescendos to a cinematic finish. WITCHMARK is a can’t-miss debut that will enchant readers.” 
—Booklist, starred review

Find Witchmark on Goodreads


Rebekah WeatherspoonTreasure

Rebekah Weatherspoon writes romance and erotic romance and kink. She’s also something of a fireball on twitter (@RdotSpoon), and she organizes WOC in Romance, a website that’s dedicated to promoting books by authors of color. (You can also support WOCIR on Patreon to help them get the word out.) I’ve heard Rebekah speak at a couple of conferences, and while she’s written a number of f/f stories, for this post I wanted to highlight Treasure because her in-person enthusiasm for the book made me want to read it!

Find Treasure on Goodreads


Bonus

Tom & LorenzoLegendary Children

Legendary Children by Tom Fitzgerald and Lorenzo Marquez

This is not a romance (oops!). As the subtitle says, it’s an examination of the first decade of RuPaul’s Drag Race and the last century of queer life. Tom Fitzgerald and Lorenzo Marquez are two of my very favorite bloggers, and at Tom&Lorenzo.com they go about judging celebrity fashion, television, and life in general with a healthy mix of take-no-bullshit and give-credit-where-its-due. They’ve been writing about RuPaul since Drag Race started, and in Legendary Children they bring wit and insight and compassion to this serious look at queer history that manages to be both informative and very, very funny. Highly recommend!

Legendary Children on Penguin/Random House


If you want to keep going, look for books by Avril Ashton, Riley Hart, Robin Covington, Ada Maria Soto, or Jude Sierra. You can find even more rec’s on this master list from the POC Queer Romance Authors Community

And….if you’re around and about, here’s a list of black-owned bookstores for you to support, compiled by Brain Mill Press:
Brain Lair Books, South Bend, IN
Cafe Con Libros, Brooklyn, NY
A Different Booklist, Toronto, ON
The Dock Bookshop, Fort Worth, TX
EsoWon Books, Los Angeles, CA
EyeSeeMe, University City, MO – children’s books
Frugal Bookstore, Boston, MA
Harriet’s Bookshop, Philadelphia, PA
The Lit. Bar, Bronx, NY
Loyalty Bookstore, Washington, DC
Pyramid Books, Little Rock, AK
Semicolon, Chicago, IL
Sister’s Uptown Bookstore, New York, NY
Source Booksellers, Detroit, MI – nonfiction
Uncle Bobbies Coffee & Books, Philadelphia, PA

What the book is really about.

I don’t know about you, but I’m so, so tired of a certain virus that is apparently hell-bent on ending civilization as we know it. In the spirit of Shauna’s last post, I want to focus on writing, because I have a helluva lot more control of my imaginary worlds than I do over the real one.

This is aspirational. My real-life looks nothing like this.

I’m an avid (overly enthusiastic?) fan of author KJ Charles. Her books are funny and sexy and scary and they make you think. Her plots are a master class in how-to-do-it-right. And this week, in the run-up to her newest release Slippery Creatures (Will Darling #1), I noticed something else.

She’s got a knack for describing her books in a way that makes them sound like they’re the most fun ever.

I’m not talking about her book’s blurbs, the back-jacket copy that supposedly sells the book, although her blurbs are very well done – check out the Goodreads link for Slippery Creatures to see what I mean. The thing that really grabs me, though, are the one- or two-line descriptions she uses on social media that summarize what the stories are about.

For example, on her Facebook fan page (KJ Charles Chat) she posted a sign-up for Slippery Creatures ARCs, giving readers the chance to review her book prior to it’s May 13th release, and I promise you, that sign-up post is golden.

She compares her Will Darling series to Golden Age adventure stories with spies and secrets and country houses and social change. (I’m paraphrasing because I don’t want to give too much away.) I don’t even need to see the book’s blurb; she had me at nightclubs and shady conspiracies.

The blurb is awesome, but the one-line description on the ARC sign-up bumped the book to the top of my to-be-read pile.

Having made this observation – that KJ makes her books sound fun! – I wondered if I could do the same with my own books. I turned to my current WIP, the book I started last November for NaNoWriMo, but couldn’t come up with anything coherent. (More about that later.)

Instead, I shifted gears and went digging through my back list. Here are a few examples:

Vespers mixes a 100-year-old vampire monk with a 22 year old college grad and a bunch of demons (both physical and psychological) and gives Liv the chance to work out her ideas about religion.

Here’s another example:

Change of Heart throws a country girl who talks like Dorothy Gale into the Big Easy and gives Liv a chance to explore how trans people might have survived in the days before hormones and surgery and also gives Vespers fans an Easter egg.

Or:

Lost and Found takes a very sad story (the life of the Russian dancer Najinksy) and finds him a happy ending (because romance) and also gives Liv a chance to brush up on her high school French.

Hmm…I’m sensing a theme. In these one-liners, I focus on my intention when writing the books, rather than picking out elements that make the story sound fun!

And that, my friends, might explain why I had trouble coming up with a one-liner for my current WIP. I mean, I know what it’s about – in the days when the city of Seattle was struggling to establish itself as the top dog in the Northwest, a necromancer tried to run all other magic workers out of town but he is challenged by a ne’er do well night patrolman, a pretty piano player, and their friends – but I haven’t yet figured out the why.

Why am I writing this story? What overarching theme grabbed me and made me spend however many hours it took to hit the 85k word mark? (I’m just about there, with a couple scenes left to draft.) I’m pretty sure my motivation went deeper than “well hell, I managed to write 50k words in November, let’s see where this bad boy goes”.

I mean, I’m pretty sure I have a deeper motivation. I hope.

I’d argue that while KJ’s one-liner for Slippery Things hits on a number of elements that focus on fun! (Spies! Nightclubs! Shady conspiracies!) she slips in a note about social change, hinting that she’s worked in a deeper theme or two. That grounds the story, making it even more compelling.

So if you need me, I’ll be pondering the theme(s) for my current WIP, which I’m hoping will be more obvious after I finish the draft and give the story some time to breath. I’ll also be working on a one-liner that includes the kind of fun! elements that make KJs books sound so good.

Because it’s smart to learn from the best.

Silence Hurts

As a rule, I stay out of the comments. You know, the chunks of opinion that follow most on-line articles, left by concerned and thoughtful citizens.

Or by trolls.

Sometimes it can be hard to tell the difference.

Over the last month, I’ve generalized that “no comments” standard to the active forums on the RWA website. (RWA = Romance Writers of America, one of the largest writer’s organizations in the country.)

See, exactly one month ago today, on 12/23/19, RWA censured & suspended author Courtney Milan, charging her with ethics violations and suspending her membership for a year. They also banned her from ever again holding a leadership position in the organization.

Now, some backstory…

Courtney has a long history with RWA. She’s a past board member, and at the time the ethics complaints against her were filed, she was the head of the ethics committee. She also received an award at last year’s national conference for the work she’d done promoting diversity in the organization.

She also has a huge social media following, and if the RWA board thought they could drop their little bombshell and sneak away for the holidays without anyone noticing, they were…um…wrong.

To say the shit hit the fan might be one of the biggest understatements of all time.

The board said that Courtney had violated RWAs standards by calling out a 20 year old book as a “fucking racist mess”. They said her critique caused the other author to lose a book contract, which simplifies things a great deal and is also simply wrong.

For a hit-by-hit look at how this last month has gone down, Claire Ryan has put together a timeline that is absolutely worth the read. For a nuanced look at why this has all happened, Kelly Faircloth’s article at Jezebel is a good source.

The underlying issue is racism, something RWA has been wrestling with for the last several years. (In April of 2018 I blogged about the #ritasowhite kerfufle involving the RITA Awards, RWA’s version of the Oscars. At the time, no black authors had ever won a RITA.) The RWA Board that took over in September ’19 was the most diverse in the organization’s history, which a lot of us took as a good sign. Progress made. Go us.

We couldn’t have been more wrong.

Which brings me back to the forums. They’re a mechanism for discussion, a private place where RWA members can exchange views. Things can get pretty heated, and whether intentional or not, a number of my RWA colleagues have let their racist flags fly.

It’s a testament to my own privilege that I was able to say, “nope, not looking” when I started to hear how awful some of the comments were.

It’s also a testament to my privilege that I can say “yeah, don’t need ’em” and plan to let my membership lapse.

I’ve spent the last two years as treasurer for the Rainbow Romance Writers chapter of RWA, an on-line chapter that supports writers of diverse romance in learning their craft and in having a place to network. Our membership is predominately white, and while the board wanted to give queer authors of color a safe place, I’m not sure how close we came to accomplishing that goal.

Wrestling with my own internalized racism is difficult, whether in the context of a wider organization or in my daily life. I could have followed those forum conversations and added my voice to the chorus of people who were willing to take a stand and call out those who were being shitty.

Instead, I’m writing a blog post. Again. Encouraging you all to look for books by diverse authors to push yourself beyond your comfort zone. To speak out.

I’m listening.

(Here’s a link to the WOC Romance website book list to get you started.)

Rom-Coms: the Good, the Bad and the Mis-categorized

Image purchased from Adobe Stock

I have a love-hate relationship with rom-coms. On one hand, they are lovely and sweet and much-needed female fantasy. On the other, they drive me crazy when they are overly contrived.

During the Memorial Day weekend I caught a marathon of Gary Marshal films on Lifetime. I started watching with Pretty Woman and then The Princess Diaries 2 came on. I watched until I literally couldn’t keep my eyes open (it was past midnight). These are the movies I love. They focus on the romantic and have (at least a little) themes of female empowerment. This is certainly true in The Princess Diaries, which ends with the proclamation *SPOILER ALEERT* that Princess Mia doesn’t have to marry to rule. And although Edward is the Prince Charming of most of Pretty Woman the nearly final lines of Pretty Woman hint at gender equality in a way that was uncommon when it came out in 1990:

Edward:” What happens after the knight rescues the princess?”

Vivian: “She rescues him right back.”

Last week I was trying to listen to a rom-com on audio (it shall remain nameless) that really had the potential to be cute, but was so OVER THE TOP (yes, so much so as to deserve caps) and ridiculous, I couldn’t finish it. The main character was utterly clueless time and time again. No one is that stupid or naive. And the author completely ignored how the real world works to point of pretending certain laws don’t exist and changing basic human behavior to suit her plot needs. Ugh!

Today, I read a review in USA Today of a much-touted soon-to-be released rom-com. This quote could so easily have been applied to the book I’m referencing above: “It’s a ridiculous plot that would never happen in real life − the perfect ingredient for an inherently idealistic rom-com.” Yet they still gave the book 3.5/4 stars.

I’m trying to figure out when this requirement for the farcical in a rom-com began. I guess I could blame Shakespeare (I mean, Hero pretending to be dead in Much Ado About Nothing is pretty out there.) But the movies of the 1930s and 1940s like and It Happened One Night (1934) were witty and intelligent. Now, I realize rom-coms have always had elements that would never happen IRL, from Bringing Up Baby (1938) to What Men Want (2019). That’s what makes them female fantasy. But nowadays its like you have to ignore the laws of life in a major way to be a rom-com, such as doing things that would actually get you arrested or that borderline on psycho.

When I was thinking about it, honestly, as much as I love the movie, I blame Bridget Jones’ Diary. Bridget is the first rom-com heroine (at least that I can recall) who was clutzy (which is fine–I totally am and I like being able to relate–but it has been taken to a terrible extreme). Plus as the movie went on (not to mention in the sequels), the plots became more and more outlandish. Because that was successful, that was the formula that was followed by authors thereafter.

Last night I watched the rom-com satire movie Isn’t It Romantic. It was really, really cute and it brought up some serious issues that I have with rom-coms. The biggest is that I HATE deception, especially when it could be remedied by a simple conversation that most normal people would naturally have–or you know, by not lying in the first place. But this has become a classic defining characteristic of the rom-com. So much so that when I wrote Been Searching for You, I purposefully didn’t include it and people told me I couldn’t call it a rom-com. Even screenwriting guru Micheal Hauge lists it as a must-have for the genre.

A few other pain points for me in rom-coms:

  1. Female colleagues must be mortal enemies; there is no other way. This is so stupid and does nothing for female-kind. In Been Searching for You, I never even considered making almost-entirely female agency have work enemies. We have plenty of other enemies and frienemies in the rest of life. I honestly think this idea came from male writers of early rom-coms who couldn’t conceive of women as good for anything other than bitchy cat-fights. Then again, I work for a non-profit and not a corporation, so maybe it is different there. Regardless, we should be building one another up rather than fighting with each other.
  2. You have to have a gay stereotypical sidekick who has no life outside of the heroine’s. And this is why Annabeth has two best friends, a guy and a girl, and Miles isn’t gay (Mia is bisexual, but that has nothing to do with her role in Annabeth’s life). I can’t suffer the disrespect of an outrageously gay male best friend character. Yes, I love very gay men, but to use them in this way is just wrong. Gay men come in all types, just like straight ones, and not all of them (or even most of them) want to be your fashion consultant/cheerleader/lap dog. And even if they do, they have their own lives. How about exploring their sub-plots a little and maybe even letting us see their happily ever after? The world is ready.
  3. The person you’re supposed to be in love with has been right in front of you all along. Yes, sometimes this happens in real life, but this is certainly not the case for every woman. I don’t currently have any close male friends, but when I did, ew, no! They were like brothers to me. Ick! This also reinforces the idea men and women can’t be just platonic friends, which I think is disingenuous. Just like not everyone marries their high school sweetheart, not everyone marries the guy they work with/live door next to/get their mail from, etc. Some of us actually have to go looking.

And if this isn’t enough, until recently (I’m not sure when it changed, but I just checked and it has) the books that topped Amazon’s romantic comedy category where really erotica. I don’t know how that happened or why, but it was a thing for at least a year. Thank God it seems to have been rectified.

Yes, Amazon, these are indeed rom-coms. (Click to enlarge)

But it looks like their sponsored ads may still need some work. I kid you not, when you look Been Searching for You up on Amazon, you get these “related” sponsored books. These are what used to top the romantic comedy category and could not be further from what a rom-com really is:

And these are related to my sex-off-the-page rom-com how? (Click to enlarge.)

Anyway, all this to say I fail to understand why “it could really happen” or at least only slightly fantastic rom-coms aren’t a thing anymore. Are we that in need of escape that anything that smacks of real-life isn’t acceptable? Do we secretly like watching other women make fools of themselves? (Because let’s be honest, that’s a LOT of what the farce comes down to, even in Bridget Jones.) Or have we lost/changed our definition of romance altogether? (I could get on a 50 Shades soapbox here, but I’m really so clumsy I’d fall off of it.) It would be really interesting to hear a publisher/producer’s perspective on this issue.

I’m going to keep writing what I write (there are two more books in the Chicago Soulmates series that Been Searching for You started), and hope for the best. In the meantime, I can’t wait for The Princess Diaries 3–which might actually happen!

What are your thoughts on rom-coms, both books and movies?

The Difficulties of Prolific Writing

I wasn’t really sure where to start with this post. I knew I wanted to talk about the struggle of writing prolifically and living up to reader expectations and how unreasonable this has gotten. But I wanted to be careful not to sound angry or ungrateful. I figured the first thing I should do is figure out how many words I’ve written since I started writing seriously.

And that’s what sort of stopped me for a second. Once I got the numbers it kind of… killed something inside of me. Because it’s a lot. Especially when I tell you the time frame in which I wrote these words.

If you’ve been following along, a couple of us have mentioned the plagiarism scandal that plagued the Romance community this past month. An “author” claimed to have used a ghost writer to help her churn out books at the expected rate her readers had come to enjoy. Apparently using ghost writers to get a shit-ton of books written quickly has become a thing. Because, here’s something a lot of readers don’t know: most writers aren’t wealthy and they don’t become rich over the success of one book. Maybe not even a whole series. So the pressure to publish multiple books a year (even 1 a month) has become a real thing if you want to be financially successful as a writer. And don’t at me about doing it for art, you want multiple books a year from a writer, then the girl needs to get paid enough not to a have a day job.

If a writer makes four figures, they’re doing better than most. If a writer makes five figures, that’s considered very successful–not per year, we’re talking *ever*. But we only hear about the major names and people think they’re over-night successes (they’re not).

I started seriously writing around 2009-2010. It took me a long time to find my voice and that first book. I did what you’re supposed to do when you finish your book while you’re querying–I wrote the next. And the next. I was half-way into the third book when both my husband and I lost our day jobs and my first book hadn’t been picked up by an agent yet.

Facing unemployment is fucking terrifying. I was lucky at the time, in that, we had a little savings. Not a lot, but some. So we decided, together, that we were going to use the time to pursue our dream jobs. He began getting certified for his and I decided to self-publish my first series.

Because I already had the next two books written, I was able to release them quicker than traditional publishing would have. I spaced it out so I could finish the fourth book and give myself some time for the fifth. But I’d set that expectation of a new book every six months.

If I could go back and slap my 2011 self, I would.

Releasing five books in two and a half years was so stupid.

Some writers only write one book for their whole carrier. Others, just one series. So really, publishing five books could have been a lifetime of work. Then I started the next to build and keep the momentum of readership I was building.

To be self-published you have to do everything and it takes a lot out of you with each book. But I pushed on, because, I knew there was a chance things would really take off and explode and I’d get the readership I needed to be long-term successful. And I didn’t stop to realize I’d already accomplished more than most writers had in the past. I was supporting our household on my income. It was great.

So I kept going. And I developed a pen name so I could write racier stuff and not confuse my YA readers. But I was constantly writing. Book after book after book. Only taking a week or two off between finish a rough draft before attacking the second draft.

Then, while the book was with my editor, I was outlining the next book so when edits were done I could start all over again, right away.

There were times where I wrote a whole 80-90k word book in one fucking month.

Eventually, by April of last year, I’d written the equivalent of 24 books (under my pen name I liked to write novels and novellas and short stories so the novellas and short stories were bundled into short novels).

So in less than ten years I’d written 24 books.

I was so done. I was totally and completely burned out.

I had a trilogy I’d been working on under my pen name and didn’t have the third book written, not even outlined, and I just couldn’t do it.

I’d run out of words. Out of ideas.

So I took some time off.

I didn’t manage to start writing that last book until November of last year (thank goodness for NaNo), having outlined half of it in October. But that was six months of complete radio silence from my characters, from my muse, from anything.

And I felt terrible.

I should have felt good about the time. I should have enjoyed it. Given myself permission. But instead I worried about my career and losing readers. But to be honest, that’s something I’ve been dealing with for the last couple of years. Because I couldn’t keep up the pace of 2-4 books a year readers slipped away. Or, and this is possible too, because I was putting out too many, readers couldn’t keep up.

I honestly don’t know. Maybe both are true?

So, write like the wind until your fingers bleed and you can’t think or take your time and let the words come naturally and there are going to be groups on either side that are angry. And, couple that with KPD Select and readers wanting books to be free or at least almost free and you realize how small the royalties are going to be, so you need a catalog of books to make it financially feasible to fight this and constantly dealing with pirates stealing your work. It’s a lot of pressure.

Every time I put out a book, no matter how fast, the first thing I’d hear from at least one reader would be: WHEN’S THE NEXT ONE COMING OUT I FINISHED THE BOOK IN ONE SITTING!

Now. Yay. Thank you. But also… I can’t.

I told you I’d tell you my numbers so here they are. Since starting writing around 09-10, I’ve written the equivalent of 25 books with a total of 2,134,547 words.

Two Million One Hundred Thirty Four Thousand Five Hundred Forty Seven.

That’s an average of 213,454 words a year.

I have been dying to start working on my witchy book. I’ve been talking about it for a year. And I have no bloody idea where to start. Nothing is coming to me. The inspiration, the excitement, the drive to write it, is gone.

It’s up there with those two million+ words.

This is what happens when we put pressure on writers to hurry up, hurry up, hurry up and expect the books to cost less than a cup of coffee so authors are constantly worrying about paying bills and keeping a roof over our heads. It takes a huge toll on us. We run out of ideas. We run out of words. I am terrified right now that I’ll never write something as good as my Ash & Ruin series again. I am terrified I can’t think of a new magic system.

But, mostly, I am tired. And I know a lot of other writers are too. We write more than a life time’s worth of words in such a short amount of time and yet, it never feels like enough. It always feels like we’re falling behind.

I don’t feel like I should end this here on such a melancholy note. So, if you’re wondering what you can do to help, other than obviously buying a writer’s book(s), you can spread the word about your favorite books. We say it again and again, but reviews are so important to our success that’s why we’re always almost begging for them. Go write a review, copy it and paste it to every retail website that carries the books, yes, even if you didn’t buy it there. Every review helps and every review makes us feel a little better.

Maybe your review will be the one that gives a writer her inspiration back.