Real Talk: as the mom of a six month old, I haven’t yet found any kind of rhythm when it comes to writing. I promise myself that the second she goes down for a nap, I’m going to jump right on my laptop and pound out a few hundred words. But realistically, there are so many things I feel like I have to do around the house or for basic self-care that writing often falls all the way to the bottom of the priority pile. What I do have time for–between marathon feeding sessions and contact naps–is reading. My Kindle has been getting a real work out lately. But as someone with a back-log of story ideas, it can be frustrating to exclusively read other peoples’ stories when I kind of wish I had time to work on my own.
Then, the idea struck me: what if I peppered some craft books into the mix? Then I would at least feel like I was preparing or honing my skills for when I finally had the time to write. The only question was, which craft books? I’ve already read Save the Cat by Blake Snyder, Story Engineering by Larry Brooks, The Hero’s Journey by Joseph Campbell, On Writing by Stephen King, and Romancing the Beat by Gwen Hayes. Fortunately, the answer was dropped into my lap when an author I follow on Instagram mentioned the method she uses to outline–Anatomy of Story, by John Truby.
Now, I usually approach these craft books with a hefty grain of salt. First of all, I’ve been writing for long enough to know that every author’s process is different and what works for someone else is not necessarily going to work for me. No point in trying to fit my square peg into someone else’s round hole. Second of all, a lot of the “beat sheet” methods strike me as underwhelming and a bit unspecific–I struggle with the idea that all stories “must” follow these precise structures to be successful. I want a craft book that will guide me, inspire me, and deepen my process, not boil it down to a generic three acts, seven plot points, and three pinch points.
So far, Truby’s book is that and more. I feel like I’ve been highlighting every other passage on my Kindle! But one line in particular shook me to my core, and I want to share it with you all in case it helps you as much as it helps me.
Step 1: Write Something That May Change Your Life. This is a very high standard, but it may be the most valuable piece of advice you’ll ever get as a writer. I’ve never seen a writer go wrong following it. Why? Because if a story is that important to you, it may be that important to a lot of people in the audience. And when you’re done writing the story, no matter what else happens, you’ve changed your life.
Anatomy of Story, by John Truby
Superficially, this isn’t the most novel advice in the world. It’s a variation of “Write the book you want to read.” But for me, that last line gave me chills. Because it shifts all of the focus from the external outcome to the internal outcome, which is something I’ve struggled with since the very first query letter I sent out into the world. From the moment I decided to “become an author,” I’ve grappled with what success could and would look like to me. Getting an agent? Getting a book deal? Hitting a best-seller list? Selling a million copies? I found that I could never define what success would look like, and whenever I did manage to hit a milestone, I found my own goal-posts had already moved.
In the past few years I’ve tried to shift that focus back to the internal, but it’s harder than it sounds. Even when I tell myself that I’m just writing something for me, or just writing the book I want to read, or just writing for fun, the fact of the matter is that writing books will never just be a hobby for me again. I’ve sunk years and tears and too much love into this career to never try to publish another novel. So how do I balance those external expectations with those internal motivations?
I think that’s why this advice from Truby resonated with me so much. He’s not telling you to simply write for fun, or for yourself. He’s not even telling you to write the book you want to read. He’s encouraging you to do so much more than that–he’s encouraging you to write the book that may change your life. He’s asking you to dig so deep, work so hard, and aim so high that the end result will literally transform you.
I find this idea daunting, but so inspiring. No one–not a craft book, not a friend, not a mentor, not even myself–has ever asked so much of me. So I’m going to try to follow his advice. The story I write may not sell a million copies. It may not hit any bestseller lists. It may not even get published.
But what does any of that even matter if I’ve changed my own life?
Spellbound Scribes 