Ten Holiday Reading Recommendations!

 

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Photo by Cris DiNoto on Unsplash

One of my favorite thing about the holidays is so many authors release novels or novellas to celebrate the season. It’s a little ironic, because generally I don’t have as much time to read as I normally do, but I find myself adding to my TBR pile anyway. With that in mind, I thought I’d come up with a list of holiday reads…because this is the season for my favorite things, right?

(If you received my newsletter yesterday, you’ll have already seen most of these, but there are a few new ones. And if you’re not on my newsletter list, go HERE to fix that!)

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I’m starting with Blessing & Light by my friend Kasia. She writes romantic high fantasy (think naughty elves!) and packs a whole lot of story in just a few pages. This one is FREE for the month of December!

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It’s the Night of Winter Lights.

Heedless of the holiday, the Commander of the H’Aren fortress, Captain Torýn Torhdhar, seems to find his satisfaction in work.

Such occurrence hardly surprises his Orderly, Sæbastyn Hyago, even though the young Lieutenant has spent a silent, aching decade wishing his superior officer would pursue pleasure elsewhere—specifically in his arms. But as the evening continues, nothing about it meets Sæbastyn’s expectations. Will the Lieutenant see his secret desires realised, or his heart shattered?

Amazon US        Amazon UK

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I read Yuletide Truce last week, and it gave me the best book hangover! If you like Victorian stories, definitely grab this one.

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London, 1845

It’s December, Alan “Aigee” Garmond’s favorite time of the year, when the window display of the small bookshop where he works fills up with crimson Christmas books and sprays of holly. Everything could be perfect — if it weren’t for handsome Christopher Foreman, the brilliant writer for the fashionable magazine About Town, who has taken an inexplicable and public dislike to Aigee’s book reviews.

But why would a man such as Foreman choose to target reviews published in a small bookshop’s magazine? Aigee is determined to find out. And not, he tells himself, just because he finds Foreman so intriguing.

Aigee’s quest leads him from smoke-filled ale-houses into the dark, dingy alleys of one of London’s most notorious rookeries. And then, finally, to Foreman. Will Aigee be able to wrangle a Yuletide truce from his nemesis?

Amazon US          All Ebook Retailers

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Glass Tidings by Amy Jo Cousins was my favorite holiday read last year, and 20% of the proceeds benefit The Trevor Project!

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Eddie Rodrigues doesn’t stay in one place long enough to get attached. The only time he broke that rule, things went south fast. Now he’s on the road again, with barely enough cash in his pocket to hop a bus to Texas after his (sort-of-stolen) car breaks down in the middle of nowhere, Midwest, USA.

He’s fine. He’ll manage. Until he watches that girl get hit by a car and left to die.

Local shop owner Grayson Croft isn’t in the habit of doing people any favors. But even a recluse can’t avoid everyone in a town as small as Clear Lake. And when the cop who played Juliet to your Romeo in the high school play asks you to put up her key witness for the night, you say yes.

Now Gray’s got a grouchy glass artist stomping around his big, empty house, and it turns out that he . . . maybe . . . kind of . . . likes the company.

But Eddie Rodrigues never sticks around.

Unless a Christmas shop owner who hates the season can show an orphan what it means to have family for the holidays.

Amazon          All Ebook Retailers

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Merry & Bright is a new holiday collection from Joanna Chambers. I read all three of these stories when they were first released, and honestly Rest and Be Thankful is one of my all-time favorites. They’re all really good, and it’s so nice to have them all in one place!

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Quin Flint is unimpressed when his gorgeous colleague, Rob Paget, asks for extra time off at Christmas. As far as Quin is concerned, Christmas is a giant waste of time. Quin’s on the fast track to partnership, and the season of goodwill is just getting in the way of his next big project. But when Quin’s boss, Marley, confiscates his phone and makes him take an unscheduled day off, Quin finds himself being forced to confront his regrets, past and present, and think about the sort of future he really wants…and who he wants it with.

Mr Perfect’s Christmas

Sam Warren’s new job hasn’t been going so well so the last thing he’s in the mood for is the obligatory office Christmas party, particularly since Nick Foster’s going to be there. Nick–the guy whose shoes Sam has been trying to fill–seems to take very opportunity to point out where Sam’s going wrong. But when Sam receives an unexpected Secret Santa gift at the party, he’s forced to question his assumptions about his rival. Could it be that he’s been misinterpreting Nick’s actions all along? And is it possible that his reluctant attraction to Nick is reciprocated?

Rest and Be Thankful

Things haven’t been going well for Cam McMorrow since he moved to Inverbechie. His business is failing, his cottage is falling apart and following his very public argument with café owner Rob Armstrong, he’s become a social outcast. Cam needs to get away from his troubles and when his sister buys him a ticket to the biggest Hogmanay party in Glasgow, he can’t leave Inverbechie quick enough. But when events conspire to strand him in the middle of nowhere in a snowstorm, not only is he liable to miss the party, he’ll also have to ask his nemesis, Rob, for help.

Amazon          All Ebook Retailers

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This is the book I’m reading now, and while I’m not finished, it’s getting rave reviews. The characters celebrate Hanukkah, too, which sets it a little bit apart from most holiday stories and 20% of the proceeds will benefit The Russian LGBT Network.

Corbin Wale

Last month, Alex Barrow’s whole life imploded—partner, home, job, all gone in forty-eight hours. But sometimes when everything falls apart, better things appear almost like magic. Now, he’s back in his Michigan hometown, finally opening the bakery he’s always dreamed of. But the pleasure of opening day is nothing compared to the lonely and beautiful man who bewitches Alex before he even orders.

Corbin Wale is a weirdo. At least, that’s what he’s heard his whole life. He knows he’s often in a fantasy world, but the things he feels are very real. And so is the reason why he can never, ever be with Alex Barrow. Even if Alex is everything he’s always fantasized about. Even if maybe, just maybe, Corbin is Alex’s fantasy too.

When Corbin begins working at the bakery, he and Alex can’t deny their connection any longer. As the holiday season works its magic, Alex yearns for the man who seems out of reach. But to be with Alex, Corbin will have to challenge every truth he’s ever known. If his holiday risk pays off, two men from different worlds will get the love they’ve always longed for.

Amazon           All Ebook Retailers

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I love Cat Sebastian’s books and was *so* excited to see this one land on my kindle!!

Two to Tumble

Some of Ben Sedgwick’s favorite things:

  • Helping his poor parishioners
  • Baby animals
  • Shamelessly flirting with the handsome Captain Phillip Dacre

After an unconventional upbringing, Ben is perfectly content with the quiet, predictable life of a country vicar, free of strife or turmoil. When he’s asked to look after an absent naval captain’s three wild children, he reluctantly agrees, but instantly falls for the hellions. And when their stern but gloriously handsome father arrives, Ben is tempted in ways that make him doubt everything.

Some of Phillip Dacre’s favorite things:

  • His ship
  • People doing precisely as they’re told
  • Touching the irresistible vicar at every opportunity

Phillip can’t wait to leave England’s shores and be back on his ship, away from the grief that haunts him. But his children have driven off a succession of governesses and tutors and he must set things right. The unexpected presence of the cheerful, adorable vicar sets his world on its head and now he can’t seem to live without Ben’s winning smiles or devastating kisses.

In the midst of runaway children, a plot to blackmail Ben’s family, and torturous nights of pleasure, Ben and Phillip must decide if a safe life is worth losing the one thing that makes them come alive.

Amazon          All Ebook Retailers

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Kris Ripper’s annual New Years book has become one of my favorite things about the holidays. There are a bunch of books in this series, so some of the character relationships will be richer if you’ve read at least some of the others. Also, the Scientific Method series is AMAZING, so you should read them just for that.

Let Every New Year Find You

It’s the holidays. Basically: everything is awful. As usual.

It’s been three years since Davey saw their ex-boyfriend Will. The thing is…Will’s sort of the one who got away. And he’s also the one Davey calls when they’re super depressed, and it’s the holidays, and they just want a hug.

What they get is an invitation to Will’s boyfriends’ beach house for New Year’s. Yeah. Boyfriends. Plural.

In ten days Davey finds a kitten, wears a mermaid dress, and crushes on a beautiful man. Welcome to New Year’s at the beach house.

Amazon          All Ebook Retailers

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You’re probably going to laugh at me, but I’m rounding out the list with three of my own holiday reads. Two are short stories, and one’s a novella from the Hours of the Night series I write with Irene Preston…

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Silent night, holy hell.

Thaddeus and Sarasija are spending the holidays on the bayou, and while the vampire’s idea of Christmas cheer doesn’t quite match his assistant’s, they’re working on a compromise. Before they can get the tree trimmed, they’re interrupted by the appearance of the feu follet. The ghostly lights appear in the swamp at random and lead even the locals astray.

When the townsfolk link the phenomenon to the return of their most reclusive neighbor, suspicion falls on Thaddeus. These lights aren’t bringing glad tidings, and if Thad and Sara can’t find their source, the feu follet might herald a holiday tragedy for the whole town.

Amazon          All Ebook Retailers

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I was frustrated with yesterday’s newsletter, because the link to this short story was broken, so I had to give it a shout-out here…

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Things aren’t always what they seem, and this shopping mall Santa has a secret that only true love can reveal.

Mackenzie’s an out-of-work actress who takes a job as a shopping mall Santa to pay the rent. She fools everyone with her Santa drag, until the day Joe McBride walks into the mall. Joseph Timothy McBride – the real-life, got a soap opera gig and you saw him in Scream II actor. The only guy she ever really loved. Can Mack stay in character, or is it time to strip off the red coat and peel off the beard for good?

Amazon

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And this one is my newest holiday short story….merry merry!

God Rest Ye Merry Vampires Final

This Christmas, Clydie learns a lesson about looking beneath the surface to take the measure of a man…or vampire.

Amazon          All Ebook Retailers

However you choose to celebrate this holiday season, I hope you’re safe and warm and peaceful, and that you’ve got a couple good books to read!

Best,

Liv

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Bypassing Writer’s Block

FullSizeRender-2I got it bad. And I’m not talking about that Usher song from 2001 (hello yes old). I’m talking about the dreaded writer’s block.

Every writer I’ve ever known has a different take on writer’s block. It’s actually something we Scribes have discussed a number of times on this very blog. Some suffer from it it; others don’t. Some claim it doesn’t even exist. (I claim they’re lying). Some say the only way to get over it is to work through it, which is pretty solid advice. Others recommend refilling the well by revisiting beloved books and movies. Some say you should give in to your instincts and just lie in front of the TV watching bad Christmas movies and crying into your wine until the literary gods finally take pity on you and send you a decent sentence or two. (What’s that you say? Oh, that’s just me?)

Honestly though, it sucks to feel like your “muse,” or whatever you want to call it, has deserted you. For better or for worse, it’s easy as a writer to let your sense of self-worth get all tangled up in your creativity, your productivity, and the pace at which you create art. And that’s kind of where I’m at. This fall has been tough for me. Between ongoing edits of my forthcoming novel, a big move accompanied by a lifestyle shift, and a death in the family, I haven’t had much time for new projects, and even when I have tried for new words, I’ve been deeply disappointed in the results. Which makes me even more anxious about writing, or not writing, aaaaand the cycle continues.

IMG_1969And then I picked up a book on a whim at my local indie. Riding on the recent trend of hygge–a Scandinavian-inspired cozy lifestyle–the book includes a number of fairly accessible craft ideas. Now, my adventures into crafting have historically followed this pattern: 1) I get really freaking excited about a craft, 2) I impulse-buy all the supplies for said craft, 3) I spend like one hour actually making the craft, 4) I realize that crafting is hard, and 5) I never touch said craft ever again. But this particular book included some information that I hadn’t realized before.

Apparently, scientific research is beginning to find that creative activities can lead to relaxation or a meditation-like response similar to that induced by yoga, while also raising neurotransmitters associated with elevated mood. This news wasn’t so surprising once I thought about it–my own anecdotal experiences with past art projects backed this up. So I bought a decent amount of supplies, figuring that if I wasn’t writing I would at least be creating pretty things to hang around the house during the holidays.

IMG_1970I’ll skip right to the end here, folks. This experiment has been a resounding success. I mean, I’m laughably bad at crocheting, I have paper-cuts from Danish origami, and my wreaths look like they were made by children, but I have ideas again. Something about having my hands and front-brain occupied seems to leave my creative brain free to float wherever it pleases. It does, in fact, feel very zen to just zone out and let my hands work until bam! An idea strikes and I’m running for the closest pen and paper.

That’s all I’ve got so far–scribbled notes and half-finished crafts. But even if that’s all this experiment nets me, it’s worth it just to have something new in the arsenal to banish that dreaded writer’s block.

The Tax Man Cometh…Or the Uncertain Future for Indies Under the Senate Tax Bill

Image purchased from Adobe Stock. My ability to write off my stock photography subscription would be eliminated under the current tax reform.

You guys, I am scared to death that the Senate tax reform is going to become law.

Before I go into why, a disclaimer: I am totally not a political person and I am not posting this to bring up anything about either party. In this article, I’m putting aside the ACA inclusion, the wins for big business, and other factors included in the proposal to focus solely on the concerns of small business owners, indie authors included.

At issue is the fact that small businesses – sole proprietors like myself, LLCs, S-corps and partnerships – are what is called “flow  through” or “pass through” businesses. This means that I don’t pay taxes as Lawson Gartner Publishing, even though that is my company. My business taxes pass through to me as an individual and I pay taxes on my business profits at a lower rate.

The way I understand it, the problem is that some corporations are managing to get away with being classified like us small business people and are therefore paying much lower tax rates than they should. Boo. (That’s as far as my understanding goes. Check out this article from Forbes or this one from The Washington Post for two experts’ takes.)

The biggest problem is that under the Senate’s tax reform, the itemized deductions we can currently take for professional memberships, conference travel, office expenses, marketing costs, etc. all go away. That is a death-blow to indie authors. Most of us have day jobs and can only afford to publish because we can write off these expenses. (This is in addition to many other deductions we would lose personally, like medical expenses, tax preparation costs, student loan interest, any mortgage interest above $10,000, etc.)

That means I am facing the possibility of going out of business if this law passes. Right now, I’m totally not managing my finances well – and I’m telling you that for the sake of transparency; we need more of that in the publishing world. I spend about 10x more than what I make. (Sad, but true. I’m working on that in 2018 since I now have two years of experience to help guide me.) When I get my tax refund each year, it’s about twice what I make and not quite a third of what I spend. That is not an insignificant amount and it’s what keeps me afloat (along with the income from my day job).

Besides lowering or eliminating my tax refund, what really sucks is I’d have to stop going to conferences, or at most only go to one a year because travel is expensive and many times the registration costs as much or more than your flight. Even though I don’t sell many books at those events, they are incredibly valuable for networking and learning. Plus, they give me a chance to expand my speaking career and attract new fans. While not doing this isn’t the end of the world, it’s a big blow to me professionally.

The silver lining is that even if the proposal passes, it doesn’t go into effect until at least 2022 (I’ve even heard as late as 2027). The way I see it, this means I have a few options for future business:

  1. Pray that I get a traditional publishing contract in the next four to 10 years and can stop relying on self-publishing. Ugh. I have four books in mind that I’m planning to try to traditionally publish once they are written, but I really don’t want to be beholden to the industry forevermore. I like being able to write what I want when I want, even if it isn’t “marketable.” I would really like to have the option to be a hybrid author in the future.
  2. Significantly scale back my self-publishing. Right now, I try to publish one or two books a year, which is all I have the time and money to do. (I’m still recovering financially from releasing four books in 2016.) My current pace is still considered slow, but it us adequate to keep my career going. According to conventional wisdom, if I slow down to a book year or every other year, I have very little chance of maintaining the momentum needed to make a decent showing as an indie author. But I will try it if I have to.
  3. Quit self-publishing all together, close my business and put all my eggs in the traditional publishing basket. See #1 above.

One thing is for certain: I won’t stop writing. I have stories that MUST be told or I will go crazy. Even if I have to stick them in a drawer for someone to publish after I’m dead, they will keep happening. But no one wants that to be the case, and I’m really uncertain of what the future will hold.

I very rarely contact my representatives, but I did for this. I highly doubt my voice will change the outcome, but I have to at least try when it is going to affect my livelihood, the thing that brings me more joy than anything else in the world. I have actually been praying about this. Those two things are all I can do.

And I’m one of the lucky ones. I have a day job that pays well that I can fall back on to pay my existing debt and, if I save, finance future projects. I can’t imagine how scared those whose only livelihood is their small business must feel. For me, this is about making my dreams come true; for so many it is about subsistence. All of this so that politicians can get a “win.” It’s just not right.

So, Does This Make Me a Bestseller?

This is kind of an off the wall way to promote a new book,  but no one ever said I was normal…

My first non-fiction book, The Once and Future Queen: Guinevere in Arthurian Legend, was published earlier today, and within a few hours, it had some pretty awesome rankings on Amazon:

I was beyond floored to be in such esteemed company and thrilled to see those rankings. There was a major adrenaline rush, I won’t lie.

But I’m also a bit skeptical of  now calling myself a bestseller. I know some people would, but to me there’s a HUGE difference between making #1 in a niche category (which Arthurian Literary Criticism obviously is) and being on the overall bestseller list. I mean, 57,858 books were selling better than my book was at the time that screenshot was taken. If I was #1 in overall literary criticism, I’d at least consider it. But I’m not; I didn’t even get the orange bestseller flag (which I think is reserved for the bigger categories).

I don’t mean to demean this achievement, but I feel like a lot of authors are throwing around the term bestseller very loosely these days. I don’t want it to become meaningless. I mean, in one category you could (and people have done this with spoof books to prove the point) reach number 1 by selling like two books, whereas in another you have to sell tens of thousands. Where is the line? Is there one anymore? Does anyone care?

The last thing I want to do is be misrepresenting myself. I think readers have a pretty good nose for what is authentic achievement and what is PR. (I do PR as my day job, so I can say that.) As much as my over-inflated ego wants to add “bestselling” to “multi-award-winning author” in my bio, I think I’m going to wait for a more meaningful achievement.

Not that any of this is going to stop me from popping a glass of champagne tonight…and continuing to dream of making the USA Today and New York Times bestseller lists in the future.

What do you think? Do I have the right to use the term bestseller? Where is the line between using it and not for you?

About The Once and Future Queen

Guinevere’s journey from literary sinner to feminist icon took over one thousand years…and it’s not over yet.

Literature tells us painfully little about Guinevere, mostly focusing on her sin and betrayal of Arthur and Camelot. As a result, she is often seen as a one-dimensional character. But there is more to her story. By examining popular works of more than 20 authors over the last one thousand years, The Once and Future Queen shows how Guinevere reflects attitudes toward women during the time in which her story was written, changing to suit the expectations of her audience. Beginning in Celtic times and continuing through the present day, this book synthesizes academic criticism and popular opinion into a highly readable, approachable work that fills a gap in Arthurian material available to the general public.

Nicole Evelina has spent more than 15 years studying Arthurian legend. She is also a feminist known for her fictional portrayals of strong historical and legendary women, including Guinevere. Now, she combines these two passions to examine the effect of changing times and attitudes on the character of Guinevere in a must-read book for Arthurian enthusiasts of every knowledge level.

In case you are inclined to buy:

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Mistakes of a New Writer

As some of you may know, I offer manuscript critique services to people who may not have found their writing circles and don’t have someone(s) to beta read their projects. Having written my fair share of books, been through the editing wringer  process many, many times, beta read for some amazing writers, I feel like I’m in a place where I can give good, objective advice on fiction projects.

Now, it doesn’t matter what genre, or what age a writer is, it seems like most new writers make a lot of the same mistakes. Yes, I know, in fiction there are no mistakes! But, really, there are still grammar rules and there are things you can do to break the magic a story can weave and take your reader out of the moment.

1- It’s okay for characters to just say things. I know repetition feels terrible, and it often is, if you have a tick (a word or phrase) you just love and you keep using it over and over, it stands out and bugs the hell out of readers. So, new writers will often think the same of dialogue tags. They’ll see the words says or said all over the book and panic. Suddenly the characters are “exclaiming” “declaring” or “crying/cried” rather than just “Jane said” or “John says.” Everything just becomes so melodramatic but not compelling.

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Writers, yes, you can vary your tags, if someone really is screaming and it’s appropriate for them to scream, or if there’s another good reason to switch it up, then by all means do. But don’t do it all the damn time. And if you end a sentence with a question mark, the correct tag is “asks/asked.”

2- Telling instead of showing. I know this one can be hard. You need to move things along, sometimes things aren’t important enough for details, you’ve already gone over this in detail but Character A  needs to tell Character B so, yeah, hurry up. So it’s hard to know when it’s okay to tell versus show.

The three things I just said are good examples of when to go ahead and tell, for example, “John wanted to know what happened yesterday, so I told him about the fight I had with Tom.” We’ve seen the fight with Tom, we don’t need a replay. When should you show? When the fight happened. If it’s important enough to bring up, let’s see it.

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Another bad tell versus show? “Jake was a scary man.” Now, okay, you can write that line, but then back it up. I’m not going to be scared of Jake just because the narrator says so. “Jake was a scary man. He was a man you didn’t cross. His heart was a black as the boots he wore when he crushed Mike’s head.” I mean, something. Build it, give it backstory, draw us into the fear of the other characters.

3- All your characters are the same person. If all your characters think the same, react in the same way, have the same motivations and backstories, that will be one boring book. Yes, we keep circles of friends who have things in common with us, maybe there are things that we would say/react in the same exact way, but not everything.

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Supporting characters need to be their own people. They need their own personalities, their own motivations. They can’t always agree with the other characters. If they’re in your book, they need to be interesting enough not to all be killed off in the first act.

4- Writing what you don’t know. So, the old adage is, “write what you know.” Now, obviously that could lead to some really boring books too and we’d probably miss out on some awesome Fantasy Fiction if everyone stuck to this rule. But for me, this rule means, if there’s something you want to write or add into your books, you need to know it inside and out and if you don’t, fix it. I know I have researched for hours for one line in a 300+ page book. I know every Scribe on here has done the exact same thing.

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It feels insane when you’re doing it, but if you want that line, if you want that character to sound like they know what they’re talking about, you need that research. What I live by: If I want readers to believe my fiction, then my non-fiction has to be correct. And if you’re not willing to become as close to an expert as possible on something, then why is it in your book?

5- Older writers want their stories to be set in the days of their youth, and yet it’s current day. Honestly, I get it, okay? When I watch Stranger Things my nostalgia is strong! I lived outside when I was that age, my bike was my world. I had to be in by dark. If my mom wanted me home earlier, she had a whistle she blew, if I was too far to hear it, I got in trouble. No, she wasn’t panicked, calling the cops, she was waiting at the door, foot tapping because her first thought was that I went too far of my own accord. And she was totally right.

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But kids these days don’t do any of this. If I set a book in 2017 with 10-13 year old kids, it would look nothing like my childhood. Kids have smart phones and their parents take them everywhere. If you want a book to be like it was in the good old days, then set the book in the good old days. Do not have anachronisms sprinkled throughout. So many things in books can be solved with cellphones these days, you want to fix that but keep it current? Smash the phone. Lose the signal. Or, even more realistic? Have the battery ticking down from 5%–oof, that’s some real tension there!

There are more things, but these are the most common that I see. Try to be aware of these things. Best thing to do is write your first draft, just get it on paper, don’t stress about any of these things or anything else. But! On your second pass, on the third? Look for this stuff. Correct it. Make it stronger. Then read it again, look for bigger things, like plot holes or dropped plot threads. But that’s for another post.

Have You Hugged Your Indexer Today?

This post is a day late because I was on a deadline to get final edits and the index of my non-fiction book, The Once and Future Queen: Guinevere in Arthurian Legend, back to my formatter.

Yep, I compiled my own index. For me it was a matter of money, as in I didn’t have any more to spend on this book so I couldn’t pay someone to do it. But I learned a lot, so I thought I’d share in case anyone else has to do their own someday.

  1. I will never look at an index the same way again. Previously I’d never really given much thought to where they come from. I just had some vague thought that probably the publisher and some software were involved. (See point 7 below for more on the role of the publisher.) And yes, there is some software you can use, but there are some things the human mind will always be best for. (See point 3 below for more.) There are professional indexers out there (a job a cannot imagine voluntarily having) but it is possible to do your own with some time and planning.
  2. Indexing is just as tedious as you would expect. It is boring, yes, but part of what makes it hard is the mental gymnastics that go with it. You have put away your author hat and think like a researcher. (Having a background in research or a lot of experience using non-fiction books is really helpful. As a historical fiction author, I have that, plus part of my senior year of college was dedicated to learning how to research for my thesis, so I’m lucky in that regard.) You need to be able to think of what people might be looking for when they pick up your book. That means making sure you include in your index not only the concepts that you as an author think are important, but also those anyone using your book as a resource might need.
  3. There are really two parts to compiling an index. 
    1. Keywords – This is the way I compiled my first few drafts. As mentioned in point 2, I went through and listed every major concept and person in the book, as well as the people whose sources I used. I’m not sure if that last one is standard practice, but I thought “what if someone wants to see all the pages Katherine Bonner was quoted on?” So I gave her an entry. This being my first index, I’d rather have too much in it than it not be useful.Then I went back and tried to imagine all the ways my book might be used in research, which yielded the concepts or themes I will discuss more below. Your keywords are the easier (but more tedious) part of compiling. To get the page numbers that go with them, you can use the search function in your final PDF. When you do this, be sure to include variations and synonyms of words to get the most robust list. (i.e. for Christianity, I also searched Christian, Church, religion, God, and Catholic – and would have included Christ and Jesus, if there had been any references.)
    2. Concepts – This requires reading the book with your mind set on the themes present as you read. Because I only had two days, I proofread at the same time, but I recommend doing two separate readings if you can. Think about the themes you see and how they might be classified in the index to make sense to your researcher reader.For example, when I was reading a section on the rights of women in the Middle Ages, I was noting the page numbers on these keywords: Middle Ages, medieval, women (sub-entry “rights of;” sub-entry “in the Middle Ages”), subservience, Catholic church (because they influenced women’s rights a lot during that period), law, etc.
  4. There are two types of indexes. Because why would you want to make it easy?
    1. Run-in – These are the ones where the sub-entries are in the same line as the main heading. I personally find these really hard to read. An example would be:Guinevere, 2, 17, 150; personality of, benevolent, 152, 255, 260; self-centered, 2, 15, 24, 125, 230; weak, 56, 98, 254; rescue of, 45, 65, 125; treason, 14, 78, 53, 65

      This is the official choice of the Chicago Manual of Style.

    1. Hanging – This is when you indent your sub-entries and sub-sub-entries. Same example as above: (I have to use dashes to indicate indenting because WordPress strips them out)

      Guinevere, 2, 17, 150
      — personality of
      —– benevolent, 152, 255, 260
      —– self-centered, 2, 15, 24, 125, 230
      —– weak, 56, 98, 254
      — rescue of, 45, 65, 125
      — treason, 14, 78, 53, 65

      I think these are easier to use, so this what I went with.

  1. Pre-work is key. You can’t put the page numbers to the index until you have your final layout, but you can start compiling the list of terms in your index. I did this for about a week before I got my final layout, and it really saved me time, which was my goal since I knew I’d been in a time crunch. I’d also advise reading blog posts on indexing and pouring over your style manual’s rules on indexing beforehand.
  2. You will revise and revise and revise. You start out with one long list (from what I’ve read 10-14 pages is not uncommon), and then you whittle it down. I personally found I didn’t need nearly as many sub-entries as I originally expected. The only time I went three levels deep was in my entry for Guinevere, the main subject of the book. I also found myself adding new terms as I thought of them while I read and deleting those that didn’t end up having as much relevance as I expected. And of course, there are always the typos.
  3. There are a lot of little rules. Not all of which I followed, mainly due to time constraints. Examples:
    1. See and See also entries to cross reference entries have to be italicized but the entry itself does not. And they are preceded by a comma. (i.e. Morgaine, 78, 96, See also Morgan; Morganna)
    2. Only proper names are capitalized in the index. Which is weird because you usually capitalize all leading entries in a list, which is what an index is.
    3. You can list names multiple ways, (i.e. Arthur, King or King Arthur) and cross reference as in point A above, or you can list the page numbers in both entries.
    4. Sub-entries are usually only used if an entry has more than five or six page numbers behind it. This is where I ran out of time. There were a few entries like “Arthur, King” and “convent” that had a LOT of pages, but I didn’t have the time or wherewithall to break them out. Sorry, readers!
    5. Footnotes are indexed like this: 345n10 for page 345, footnote 10.
    6. There are two ways you can alphabetize. (Seriously!)
    7. They are different ways you can list page numbers. (Who knew?)
  4. The Chicago Manual of Style sells their indexing guidelines as a separate book. This is fabulous because it is the standard for most non-fiction books and the full manual is something like $75. I wouldn’t need the whole thing (unless I was becoming an editor) so this is a bargain.
  5. Indexes take a LONG time to produce. As I said, I had a deadline, but my index could easily have taken me two to three weeks to produce. Make sure you budget that time in your schedule. I didn’t because I didn’t know what to expect.
  6. Many publishers don’t include the index in the services they provide, so even if you are traditionally published, you might have to do your own or pay for someone to do it for you. At least that’s what my trad pubbed friends on Facebook said when I posted about never wanting to do this again.
  7. Some things are worth paying for. For books that are longer (this one is about 60,000 words) or more complex, there is no way I would ever consider doing it myself again. But at least I know I can if I have to.
  8. Part of me kind of enjoyed it. Some sick, Type A part of me revels in organization. That part of me took pride in making the index and knowing it is at least a good one, if not perfect, because no one knows the subject matter better than the author. I’m sure there are mistakes I made and things I still have to learn, but I’m happy with the outcome.

To me, taking care with an index isn’t so much a matter of doing it properly for the 0.0001% of the population who will notice, as it is a matter of making it as useful as possible to anyone who is using my book as research. I hope I did a good job!

Have you ever indexed a book? Would you consider doing it yourself?

NaNoWriMo: Do blog posts count?

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NaNoWriMo. National Novel Writing Month. Equal parts marathon and sprint, an artificial construct designed to help authors of all levels write a book.

Or most of a book.

Or something.

The basic idea is that by committing to write 50,000 words in a month, all those people out there who think they would write a book, if only….. won’t have an excuse to put it off. They’ll have to take an idea and throw down an average of 1700 words a day for 30 days, and in the end  they’ll have a solid start on that novel of their dreams.

But I’m probably preaching to the choir on this one. Let’s have a show of hands. Who’s doing NaNo this month?

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Awesome! Because even those of us who have already figured out how to get words on the page can use a little boost sometimes. Some authors figure “every month is NaNo for me”, but I know quite a few who are using this challenge to jump-start a flagging project, meet a tricky deadline, or otherwise get back on schedule.

This’ll be my first try at the November challenge. I’ve done the spring and summer “Camp NaNo” events, mainly because it’s fun to join a cabin – a group of people who cheer each other on – and it’s nice to get a boost to the word count. In past years, I’ve always had big editing projects going on in November, so didn’t have the bandwidth for the real deal.

Now, though, I’ve got the space in my schedule, I’ve got a premise, and I’ve even got a bit of an outline. I’ve also spent a month researching the time period and place (1920 Paris) – though as the start date got closer, I became increasingly worried that all I’d done was learn how much I don’t know.

Wait. That’s my inner critic talking.

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Shutting down that voice might actually might be the biggest benefit to NaNo, imho. By forcing myself to write 1700 words a day for 30 days, I won’t have time for second-guessing. The words will be on the page, safe in the knowledge I can edit them later. I’m curious to see what I come up with under those circumstances.

I also want to be able to say I did it.

I’m kinda laughing at myself, because when I initially considered what to put in this post, I thought I could discuss some of the resources I’m using. But… you know… word count. Gotta run.

If you’re participating in NaNo, happy words! And if you’re not, WHY NOT?! Everybody’s doing it…

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Included because it’s one of the coolest stories from last night’s World Series win. I’m a romance writer, so for me, this is what victory looks like. 🙂