My Writing Process

This was about a year and a half ago at the Chanticleer Author’s Conference.

When I put out a call on Facebook for topics for this post, my fellow Spellbound Scribe, Shauna, suggested I write about my writing process. Honestly, I don’t know that I have one, but I’ll give it a go.

Step 1: Research
Because I primarily write historical fiction and non-fiction, the very first thing I do is research. Even with romance/women’s fiction, there will be research involved because I’ll need to know about a character’s job or a location or something. I find that research often gives me the “bones” of a plot that I can build upon. I won’t bore you with the details here, but I do teach a class on it at Professional Author Academy (the class is actually on writing historical fiction, but it is mostly on research). And here’s a post I wrote a while ago on using Amazon as a research tool.

Step 2: Plotting
Plotting is an interesting step. Some of it I do as an author, and some of it I do alongside my characters. They talk to me and tell me what they want to happen. (One of my friends said she thinks I actually have the gift/powers of a medium and I’m starting to think she is right. Only instead of talking to the dead, I use my gifts for my writing. Maybe all authors are mediums?) My characters even name themselves. For example, in Been Searching for You, I wanted to call Annabeth’s best friend and co-worker Malik. Nope. He told me his name was Miles, which is a name I never really liked. But he was insistent and it stuck.

As far as the author part of me plotting, the first thing I do is look at the genre expectations of what I am writing and fill in what I know. Then I go to Michael Hague and Larry Brooks’ story structure templates and think about how I am going to shape my story. Then I look at Michael Hague’s character arc advice and think about each of my main character’s wounds, essence and identity. This often takes me a while to puzzle through, but it is worth it because it helps me see how these characters will change over the course of the story.

And I also meditate. I think that may tie in the whole medium idea, as it stills my mind and puts me into a receptive state to be able to see the scenes in my head.

Step 3: Writing
I can write pretty much anywhere, but most of it happens on my couch or backyard patio. For some reason that is where I’m most comfortable. I’m also extremely productive in airports and during flights; I think it is because I am a captive audience.

I have tried all kinds of things to get into writing mode, such as wearing certain clothes, drinking certain teas, etc. But what seems to work for me is lighting incense (I prefer campfire because it reminds me of the cabin I stayed in at Hedgebrook when I took a master class from Deborah Harkness, or peat because a lot of my books take place in Great Britain) and listening to film/TV scores (which already have the emotional highs and lows and tension of storytelling built in).

One thing I have learned is that I can’t drink alcohol when I write because it kills my creativity. But I can when I edit. Go figure.

I have a whole process for editing as well, but I don’t know interesting that would be to people. If you are interested, I teach a class on that as well.

By now, as my sixth book is in the editing phase, all of this has become to automatic, I don’t really think about it anymore. I guess that is why I didn’t think I had a process, when I really do.

Any questions about my process? Anything you want me to elaborate on? Let me know.

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We’ve Got Every Book Universe You’re Looking For

Every once in a while you gotta toot your own horn, create a little, well-deserved fanfare, even if it feels little self-serving.

I’m really proud of the writers at this blog, we’re a pretty damn talented group! And I think we deserve a little spotlight time. So if you’ve been looking for something to read, or are like me and enjoy having an ever-growing, teetering TBR pile, check out some of our awesome works:

First up, Liv Rancourt. Liv is an immensely talented writer who doesn’t focus on angst in her romance writing, so if you need a good pick-me-up, you need to check her out. Most recently Liv has placed her book, Aqua Follies, into Kindle Unlimited–so if you’re a KU user, now is a great chance to give her writing a taste if you haven’t yet!  And if you’re looking for a great #Pride read, this might be just what you’re looking for!

AquaFollies_Digital_WebThe 1950s. Postwar exuberance. Conformity. Rock and roll. 

Homophobia.

Russell tells himself he’ll marry Susie because it’s the right thing to do. His summer job coaching her water ballet team will give him plenty of opportunity to give her a ring. But on the team’s trip to the annual Aqua Follies, the joyful glide of a trumpet player’s solo hits Russell like a torpedo, blowing apart his carefully constructed plans.

From the orchestra pit, Skip watches Poseidon’s younger brother stalk along the pool deck. It never hurts to smile at a man, because good things might happen. Once the last note has been played, Skip gives it a shot. 

The tenuous connection forged by a simple smile leads to events that dismantle both their lives. Has the damage been done, or can they pick up the pieces together?

You can find all of Liv’s awesome books at her Amazon Author page!

Next up is Lyra Selene! Lyra has a way with world building that makes me so envious I can’t even explain. We’re very excited for Lyra’s first publication later this year, with her debut novel, Amber & Dusk! It is already available for pre-order and I have mine, so you should too! If a beautiful epic YA fantasy is more your speed, you won’t want to miss this one:

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Sylvie has always known she deserves more. Out in the permanent twilight of the Dusklands, her guardians called her power to create illusions a curse. But Sylvie knows it merits her a place in Coeur d’Or, the palais of the Amber Empress and her highborn legacies. 

So Sylvie sets off toward the Amber City, a glittering jewel under a sun that never sets, to take what is hers.

But her hope for a better life is quickly dimmed. The empress invites her in only as part of a wicked wager among her powerful courtiers. Sylvie must assume a new name, Mirage, and begin to navigate secretive social circles and deadly games of intrigue in order to claim her spot. Soon it becomes apparent that nothing is as it appears and no one, including her cruel yet captivating sponsor, Sunder, will answer her questions. As Mirage strives to seize what should be her rightful place, she’ll have to consider whether it is worth the price she must pay.

You can pre-order your copy on Amazon and Barnes & Noble now!

Next we have our in-house scholar, Nicole Evelina! I was a pretty studious person in school and I pride myself on the research I do for books now, but let me tell you, I cannot hold a candle to Nicole. When you get one of her books, know that hundreds (thousands?) of hours of research went into them. I honestly don’t know how she does it! But you can see for yourself in her amazing Guinevere’s Tales series–the first two books are available now with the third set for publication later this year!

Nicole's booksBefore queenship and Camelot, Guinevere was a priestess of Avalon. She loved another before Arthur, a warrior who would one day betray her.

In the war-torn world of late fifth century Britain, young Guinevere faces a choice: stay with her family to defend her home at Northgallis from the Irish, or go to Avalon to seek help for the horrific visions that haunt her. The Sight calls her to Avalon, where she meets Morgan, a woman of questionable parentage who is destined to become her rival. As Guinevere matures to womanhood, she gains the powers of a priestess, and falls in love with a man who will be both her deepest love and her greatest mistake.

Just when Guinevere is able to envision a future in Avalon, tragedy forces her back home, into a world she barely recognizes, one in which her pagan faith, outspokenness, and proficiency in the magical and military arts are liabilities. When a chance reunion with her lover leads to disaster, she is cast out of Northgallis and into an uncertain future. As a new High King comes to power, Guinevere must navigate a world of political intrigue where unmarried women are valuable commodities and seemingly innocent actions can have life-altering consequences.

You may think you know the story of Guinevere, but you’ve never heard it like this: in her own words. Listen and you will hear the true story of Camelot and its queen.

You can see all of Nicole’s books on her Amazon Author page and if you “follow” her there, you’ll find out when the third book, Mistress of Legend, is available for pre-order, releasing September 15th! 

And, finally, your’s truly! So I’m what you might call, your resident witchy-writer as witches and magic are my happy place, but my most recent work isn’t about witches or potions or magic, but rather about monsters and hope and survival. In 2015 I finished my post-apocalyptic trilogy, The Ash & Ruin Trilogy. But I had people asking, what happened before this? So I started writing spin-offs, first Dandelions, now Blackbird, which was just released!

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What if YouTube warned of the end of the world? Would we even take it seriously? Or just assume it was some lame, internet hoax?

Maggie has her first college finals to prepare for; she doesn’t have time for pranks and conspiracy theories. But a super flu has broken out on campus and her dorm mate keeps coughing, threatening to get her sick before she can get through the tests and get home for Christmas.

More and more people are coming down with the super flu and the vaccines aren’t working for everyone and when one of her professors is dragged out of the classroom by cops and doctors, Maggie realizes she’s waited too long to leave campus.
Finals are the last thing she should be worrying about—she needs to get home, but can she make it in time?

You can find all of my books on my Amazon Author page (though all books are available on all online retailers) and you can follow me there so you never miss out on a new release!

Hopefully there’s something here that has piqued your interest! We’ve got something for everyone, that’s for sure! Happy reading!

Research for Writers

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One of the first things on my to-do list today – well, after opening up WordPress so I could start this post – was to check my account on the Seattle Public Library website. A couple weeks ago I checked out a stack of ponderously thick books that have to do with the Cuban Missile Crisis and the Cold War.

New project, y’all!

Actually, I described this project – Havanain last month’s Spellbound Scribes post so you may already know a little bit about it. I’m finally ready to dig in, and since I’m all about the research, I figured today would be a good opportunity to revisit another post I wrote about a year ago. (Check out Pen to Pen: Liv Rancourt on researching historical romances if you’re curious.)

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My twitter pitch for Havana…

In the Pen to Pen post, I outlined a template for my research process. Here’s the Cliff Notes version:

Step one: Locate the story on the calendar. Pick specific dates, and then study up to get a feel for what was happening at that time.  The key to this is specificity. Whether your story is set in 1955 or 1455, there was more to life than the events on the page. Use what’s already there to add depth.

Step two: In broad strokes, find out what life was like during the time period. This is the bulk of the work, tbh. I look at fashion and attitudes and food and technology and population statistics and whatever I can find to ground the story in reality.

(For some excellent ideas about how to do that, check out my friend Jules Dixon’s post over on the Rainbow Romance Writers blog.)

Step three: Fill in the fine details with first-person accounts. This one gets trickier, the further back in time you go, especially if you’re writing about marginalized groups – like women, or queer people, or pretty much anyone who’s not a white male.  Finding first-person accounts is hard, but not impossible, and absolutely essential to bring your story to life.

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Go HERE to read about M. de St. George. Go HERE to  become a Patreon supporter of the MedievalPOC org, a group that focuses on POC in art history.

 

Since I wrote Aqua Follies (1950s m/m rom), I’ve come across a couple more resources for first-person accounts of LGBT experience in the 20th Century. The University of Washington had a collection of oral histories, biographies and video excerpts from interviews with members of Seattle’s LGBT community – HERE – that I’m really excited to dig into.

I’ve also started reading Between the Acts: Lives of Homosexual Men 1885 – 1967. This is an important book for me, because I don’t want to sugar-coat anyone’s experience, nor do I want to overlook the ways ordinary men and women found to cope with lifestyles that fell outside the majority.

So…yeah. If you need me, I’ll be holed up somewhere with a book in my hands. I just sent L’Ami Mysterieux off to beta readers (m/m rom set in 1920 Paris) and have about a month to do research for Havana.

Color me excited!!

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I made myself a faux-cover for inspiration!

 

 

Critique Partners in Crime

If you’ve been in the publishing industry for any length of time, you’ll probably recognize the phrase critique partner. For those of you who haven’t, a critique partner (commonly abbreviate to CP) is an invaluable asset to any writer at any and every stage in their career. Usually another author or publishing professional, a CP offers up their time and expertise to critique your manuscript/story/poem/etc in exchange for your time and expertise in doing the same for them. While a CP can sometimes play the role of beta reader (an avid reader who reads your MS and tells you whether it is any good), ideally the relationship is deeper and broader.

giphy1I feel like I’m not explaining this well. Okay, how’s this? A CP is like an unholy (or maybe holy) alliance between a friend, a colleague, a work wife/husband, a therapist, a critic, and a cheerleader. Having and being a CP is messy. It’s complicated. And it is wildly, wildly important to a writer’s growth and success in this often isolating business of being an author.

This week, I experienced both ends of the CP relationship with two different CPs. First, I had the great pleasure of reading our very own Shauna’s forthcoming novel Blackbird (which will incidentally knock y’all’s socks off) and offering feedback. And second, I shared my very recently finished and terribly rough first draft of my Swan Lake retelling with a different CP. They were two very different experiences, but they both reminded me of just how important it is to not only have CPs, but to actually share work with them.

Not all CPs are created equal, but here are a few things I’d look out for when finding someone to share work with!

  1. Someone who isn’t afraid to be honest. It’s literally right there in the name: critique partner. Not white-lie-to-guard-your-ego partner. Not even pull-their-punches partner. You know that one friend who you always take shopping because she’ll actually tell you if those pants make your butt look big? Yeah, that’s what you need from a CP. Because if they can’t be honest in their criticism, it’s not going to push you to be better, or work harder, or be honest with yourself.

    One caveat: do draw the line at nasty. There’s no call to be unnecessarily harsh, that’s not useful to anyone either.

  2. giphy2Someone who will be your cheerleader. Does this seem counter-intuitive? It’s really not. Your CPs also need to love your work kind of unconditionally, regardless off whether it’s a flaming trash pile of a first draft or a polished to near-perfect-sheen soon-to-be published work of art. The ultimate goal of a CP relationship is making each other better–if someone hates your work, what’s the point?
  3. Someone who understands (if not shares) your genre, voice, aesthetic, etc. Similar to the above, it’s a waste of their time and yours if they don’t get what you’re trying to accomplish. Maybe you write fast-paced action thrillers and they write steamy romance. That can totally work (and might honestly give you a different perspective from a CP who writes in your genre) but if their only criticism is that there aren’t enough love scenes, you might want to reconsider.
  4. giphy3Someone who can brainstorm with you. Now, this is a big ask, and you might not find this in every CP you build a relationship with–and that’s okay! But a great CP isn’t just an editor, or even a beta reader, although it’s certainly useful if they have a decent grasp of grammar, sentence structure, and plot. Ideally, they’re also someone who you can bounce your hair-brained ideas off of, who won’t say “but,” but maybe “ooh, and–!” Someone who spitballs scenarios about your sequel not because they feel like they know better than you but because they’re just so invested in your characters. Someone who sees through the disordered jumble of your nonsense first drafts to the story you didn’t know you were trying to tell.

Now, if you’re read to find your OTCP (One (or several!) True Critique Partner), here are a few resources to set you on your way! (If you’re really at a loss, Twitter is a great place to start, as are writer blogs and genre-specific interest groups! You can never go wrong with NaNoWriMo either!)

Absolute Write

Critique Circle 

Critique.org

Scribophile

 

Behind the Scenes of Self Publishing–Paperback Edition

As you know, if you’ve been following along with my posts, I have a new release coming out on June 1st–less than a month away, EEEEEP!

Being self-published that means a few different things than it does for a traditionally published writer–including being able to try out a Friday release instead of the traditional Tuesday. And, as we’re all writers here, offering insight into the whole writing process, I thought I’d share a little bit of that with you guys.

The beginning is exactly the same. We all start with a spark of inspiration, then develop that into a story, then kill ourselves over the next 4 to 156 weeks trying to write the damn thing.

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Then we put the book away (or at least, we should). For me, I’ll set a book aside for between 1 to 6 weeks depending on how difficult the book was to write. Then I print it out and go over it for revisions/edits/plot holes/etc. Then I put those changes into the computer. It’s at this point I awkwardly ask betas/critique partners to read it for me.

And then you wait.

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Once I get it back from them I compare notes. Then it’s revision time again.

Then, on to the editor!

Some self-published writers will try to avoid this step because it is the most expensive step, but there’s a reason for that: editing is the most important thing you can do after you’ve written the book. You need an editor to rip that thing apart and fix it. I don’t care how awesome you are. I have a New York Times best selling author I used to love, but I could tell when she finally made it to the point where she could include a no-edit clause in her contracts. I don’t read her books anymore.

At this point, when the book is with my editor, I’ll start on the cover. Now, depending on the book, either I will do it myself, or I’ll hire a digital artist. I cannot stress this enough, if you are not savvy with digital art, don’t do this yourself. I will only do simple covers. If my cover is for something more magical or detailed, I hire someone experienced. And when I do it myself, I don’t just pick a stock photo and stick my title on it in a white bar in simple font. I edit and digitally paint/alter the photo to fit the mood of the book.

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An example of something I feel comfortable enough doing myself.
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And something I would have commissioned because holy crap, how do you even?

I pour over my title in fonts until I find the right one–just picking out the fonts can take me a few days–even if I’m having the cover commissioned, I like to pick out the fonts unless my artist has a better one in mind, which she often does. I go through photo sites for the cover for days until I find the one(s). I spend at least a week in my art program putting the cover together, usually mocking up three to choose from before I’m sure I’ve made something that fits the book and sells it. This takes a lot of time even without all the tricks my preferred cover artist does. Your cover is important. Even if you’re not going to do hard or paperbacks, the cover is still important. When someone is scrolling through the Zon or B&N or Kobo or wherever, the cover might make them stop and look at your book.

(If you’re on a tight budget, the two things I would recommend you spend your money on are an editor and a cover artist. And if you’d like to use mine, you can find my editor here and my cover artist here.)

Usually this is when I’ll set up pre-orders. Now that all the online retailers have finally allowed Self-Pubbers to set up pre-orders, we can finally get in on that action. Once I have the cover ready, I’ll write my book blurb and set it up the pre-order pages with temporary files for the manuscript (once you have the final draft, you come back and upload the final file before the publication date).

Now, once the book is edited and the ebooks are all taken care of, I’ll start on the paperback.

No, self-published writers don’t sell nearly as many physical books as traditionally published authors do. But I like to have the option. I just do paperback, mostly because I have so many titles, setting them up with hardback would be cost prohibitive for me. With Createspace I can get my paperback onto all the online retailers including libraries and BookBub.

And they have a guided, step-by-step process to help you get your book ready for publication.

You pick your book trim size and they give you a Word template to format the interior of your book. At this point, you want to make sure your line spacing, font size, page numbers, and chapter headings look good. Don’t forget your title page, your copyright page, your table of contents, dedication if you want, all before the first chapter page.

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Then, once you have that sorted, you can tell the site your dimensions (book size, paper color, page length) to get a cover template. This is the file you would send to your cover artist to ask them to expand your cover to a paperback cover. Or you use it yourself to make yours.

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Then, once CS approves it (or emails you and tells you you screwed up, fix it please and you do it all over again and again until you get it right), this is what it looks like.

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Another cover I did myself — I even took the photo on the back cover!

And you can see what the inside looks like too!

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You can either approve the digital proof or, and I highly recommend this, you order a proof copy to be printed and mailed to you so you can see if the printing is perfect or screwed up.

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See how the spine wrapped around to the front cover on the top one, but not on the bottom one.

But, once it’s all done, and all perfect, then you can step back and admire your beautiful books on a bookshelf.

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This isn’t for the impatient. I promise you. Yes, there are people who you can pay to go through all of this for you. You tell them what you want your book to look like and they’ll do all the formatting for you and just email you the files you need to upload to CS and be done with it. And if you have the budget for it, go for it. But if you don’t, with a little patience and practice, you can do this yourself, I promise.

What’s Cooking?


So my last couple of posts here have been heavy on the opinionating – here’s one and here’s the other – and while both of them were important to me, I don’t feel like I need to turn the world on its ear…today, anyway.

So if you were stopping by to catch up on the latest scandal, sorry!

It’s spring, you know? There are dogs to walk, and weeds to pull. And as always, there are WIPs to fiddle with. (WIP = work in progress.) In the interest of keeping things mellow, here’s a run-down of what I’ve got going…three things, maybe four…

Freshest in my mind is Haunts & Hoaxes 2, the second novella in an m/m romantic suspense series I’m working on with my writing partner Irene Preston. It’s a spin-off of our Hours of the Night series, but instead of vampires, this one’s more along the lines of Supernatural or maybe The X Files…but with naughty bits.

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Reluctant psychic meets skeptical ghost hunter. Shenanigans ensue…

You can grab Haunted (book 1) from Amazon for FREE if you’re a Kindle Unlimited subscriber. Otherwise bookmark the link and check in on 5/10 – 5/11, because it’ll be FREE for everyone then.

Another project is Benedictus, book 3 in the Hours of the Night series I write with Irene. This is technically our fourth book with these characters – we did a holiday novella, Bonfire, that’s #1.5 – and the plot is definitely thickening! We’re doing our best to tie up as many loose ends as we can, because we left the last book with a bit of a cliffhanger. Fun times!

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If you haven’t read Vespers, book 1 in the series, and you like funny/sexy/scary stories, you can download the first few chapters HERE for FREE from Instafreebie.

A couple other things….last month I participated in Camp NaNo, a mini version of NaNoWriMo (National Novel Writing Month). I set a goal of 50 hours work and while I didn’t win, I had fun trying. I started with one project (deets in a minute) then switched midstream to the sequel to The Clockwork Monk.  Monk is a steam-lite novella available from Instafreebie. If you follow the link it’ll ask you to sign up for my mailing list, and I promise not to spam you if you do sign up!! I’ve been working on the Monk sequel for a couple years now, off and on, and am cautiously optimistic I’ll have it ready for beta readers by this summer.

I didn’t meet my 50 hours goal because I got bogged down with another project. I started April with this cool idea for a story set in 1962 Cuba. Here’s the elevator pitch…

On 10/17/62, President Kennedy is shown images of Russian nuclear missiles in Cuba. On 10/18, a CIA agent is shown pictures of a rogue spy who could set off a nuclear war. The agent is sent to Havana to eliminate that threat, but the spy’s a man he fell hard for years ago. 

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I even made myself a mock-cover for inspiration!

Every time I read that pitch, it makes me smile, because I know the story can work. I just need to do ponder it some more. To that end, I downloaded a couple James Bond audio books from the library. I’m driving several hours south for a day-job-related conference tomorrow, so I’m going to multi-task. Research while driving ftw!

So that’s what’s going on with me. I hope you’re all well and working hard on whatever moves you. Take care!!

Wait!

One more thing! Last week I enrolled Aqua Follies, my 1950s m/m romance, in Kindle Unlimited for the first time ever. If you KU, go HERE to grab a copy!!

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What happens next?

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I was going to title this post “The Whiteness of Romance”, but that seemed a little on-the-nose. Instead, I figure what happens next is just as appropriate, because there’s a lot of stuff going on…

The post I wrote last month – Where is the line, exactly? – was deliberately vague, but now that the issue has resolved, more or less, I want to fill in some of the blanks. I wrote the post about the situation in the world of M/M romance, where Santino Hassell was revealed to be something other than the character in his author bio.

Instead of being a bi dude single father with health and money problems, he/she/they is a husband & wife team with a talent for manipulation and, it seems, very little conscience. In the weeks after my post, the testimonials describing their abusive behavior – in addition to questionable crowd-sourcing support for unlikely health problems – has been really appalling.

I don’t know for sure how many of the accusations are true, but the entity known as Santino Hassell has been dropped by their agent and most of (all of?) their publishers. That’s enough for me.

On the heels of that – like, literally the next week – author Xen Sanders came forward, and in painful detail accused Riptide Publishing of racist practices and sexual abuse. (You can read his full statement here.) His editor has been fired, and a substantial number of Riptide authors have asked for and had the rights to their work returned.

Riptide is (was?) one of the bigger LGBT romance publishers. Their principal editors put out a statement (read it here),vowing to do better, and they’re currently closed to unsolicited submissions.

All in all, it was quite a 1-2 punch for M/M romance.

And then RWA announced the RITA nominees.

The RITAs are the annual awards for published novels, organized by the Romance Writers of America (RWA). Think Academy Awards but for romance. As usual, and to the surprise of no one, the nominees are predominantly white. I did find numbers that suggest there’s a small increase in diversity; Alexis Hall’s blog post on the RITAs historical category goes into some statistics. But still.

But still, no black author has ever won a RITA.

And people are speaking up. Loud.

Maybe the shitstorm in M/M and the takedown of Riptide primed the pump, and maybe the #metoo movement laid some of the groundwork. For sure and for certain, the diversity report put out by The Ripped Bodice, a romance-only bookstore, added fuel to the furror.

This is the second year The Ripped Bodice has put out a diversity report that can be summarized pretty simply. Six of their top ten best sellers are written by authors of color, yet overall, only 6.2 out of every 100 romances published in 2017 were written by an author of color.  That’s down from 7.8/100 in 2016.

Here’s one of their other statistics: “80% of publishers had fewer than 10% of their books written by people of color.” Read the whole report. It’s food for thought. They debunk the most common excuses used to justify the disparity, and give credit to Crimson Romance, who at 29% had the highest percentage of authors of color.

Crimson closed the day the report came out. Not joking.

A few paragraphs ago, I said people – authors – were speaking out, but the thing is, I don’t want to put words in their mouths. Go to twitter and listen to the stories they tell, stories about the shit way they’ve been treated by publishers, editors, and the RWA and its members. Follow Courtney Milan, Rebekah Weatherspoon, or Alyssa Cole, and listen to what they have to say. Follow Xen Sanders. Follow EE Ottoman.

And while you’re listening, buy their books!

Because the best way to prove to a publisher that a book will sell it to buy it. To be honest, I think Ripper says it better than I ever could:

All books.

ETA….so what does happen next? I’d like to think we all wake up and start treating each other like Mr. Rogers thought we should. But…

Meanwhile, take small steps. Read outside your comfort zone. Listen to what the authors of color you know have to say. Systemic change will only happen when a critical mass of individuals push for it. Be part of that critical mass.

ETA2..here’s a link to RWAs statement, “Board Commitment to RITAs and Inclusivity”. And for more ideas on what you can do, check out this statement by the POC Queer Romance Authors Community.