When I put out a call on Facebook for topics for this post, my fellow Spellbound Scribe, Shauna, suggested I write about my writing process. Honestly, I don’t know that I have one, but I’ll give it a go.
Step 1: Research
Because I primarily write historical fiction and non-fiction, the very first thing I do is research. Even with romance/women’s fiction, there will be research involved because I’ll need to know about a character’s job or a location or something. I find that research often gives me the “bones” of a plot that I can build upon. I won’t bore you with the details here, but I do teach a class on it at Professional Author Academy (the class is actually on writing historical fiction, but it is mostly on research). And here’s a post I wrote a while ago on using Amazon as a research tool.
Step 2: Plotting
Plotting is an interesting step. Some of it I do as an author, and some of it I do alongside my characters. They talk to me and tell me what they want to happen. (One of my friends said she thinks I actually have the gift/powers of a medium and I’m starting to think she is right. Only instead of talking to the dead, I use my gifts for my writing. Maybe all authors are mediums?) My characters even name themselves. For example, in Been Searching for You, I wanted to call Annabeth’s best friend and co-worker Malik. Nope. He told me his name was Miles, which is a name I never really liked. But he was insistent and it stuck.
As far as the author part of me plotting, the first thing I do is look at the genre expectations of what I am writing and fill in what I know. Then I go to Michael Hague and Larry Brooks’ story structure templates and think about how I am going to shape my story. Then I look at Michael Hague’s character arc advice and think about each of my main character’s wounds, essence and identity. This often takes me a while to puzzle through, but it is worth it because it helps me see how these characters will change over the course of the story.
And I also meditate. I think that may tie in the whole medium idea, as it stills my mind and puts me into a receptive state to be able to see the scenes in my head.
Step 3: Writing
I can write pretty much anywhere, but most of it happens on my couch or backyard patio. For some reason that is where I’m most comfortable. I’m also extremely productive in airports and during flights; I think it is because I am a captive audience.
I have tried all kinds of things to get into writing mode, such as wearing certain clothes, drinking certain teas, etc. But what seems to work for me is lighting incense (I prefer campfire because it reminds me of the cabin I stayed in at Hedgebrook when I took a master class from Deborah Harkness, or peat because a lot of my books take place in Great Britain) and listening to film/TV scores (which already have the emotional highs and lows and tension of storytelling built in).
One thing I have learned is that I can’t drink alcohol when I write because it kills my creativity. But I can when I edit. Go figure.
I have a whole process for editing as well, but I don’t know interesting that would be to people. If you are interested, I teach a class on that as well.
By now, as my sixth book is in the editing phase, all of this has become to automatic, I don’t really think about it anymore. I guess that is why I didn’t think I had a process, when I really do.
Any questions about my process? Anything you want me to elaborate on? Let me know.