So my last Spellbound Scribes post listed some great m/m vampire books. That post came about because I’d been researching the subgenre (sub-subgenre?) so I could add to it. And now I am. I’m co-writing an m/m vampire story with my friend Irene Preston, and hallelujah! It’s honestly the most fun I’ve ever had writing.
The co-writing thing is like having an extended (very extended) (like 75,000 word extended) conversation, not counting the evening Facebook chats to work out plot points. As a result of all of that discussion, I recently had sort of an a-ha moment.
I really owe Charlaine Harris BIG for how I think vampires should behave.
Which is actually kind of a problem. I took the time to explore what had already been written so that I wouldn’t outright duplicate anything, though I’ll admit that one of the reasons I went four years between vampire projects was my fear that I wouldn’t be able to come up with anything unique.
And despite my best intentions, I keep making pronouncements, like, OUR vampire should be THUS & SO, and Irene will be all, “um, why?” Then I pause long enough to realize my reasoning has more to do with Eric Northman than with any truly creative thinking on my part.
The whole game in romance is to take something that’s been done a bazillion times before and make it the same, but different. For this project, I started with a vampire who’d been a monk before he’d been turned. Fresh premise, right? Except maybe not so fresh if everything I layer on top (fabulous wealth, orgasmic bite) is lifted thoughtlessly from somewhere else.
Last March I took a class from Kerri-Leigh Grady on Strategies for Writing Fresh, offered through SavvyAuthors.com. If she ever offers the class again, you should totally sign up. In the class, the first thing Kerri-Leigh had us do was pick out some of our favorite familiar story elements, arguing that our readers needed something to relate to before we blew their minds with our ingenuity.
(She then had us do a bunch of really fun exercises twisting familiar tropes, which have already gained me one finished project – and I may yet write that Heathcliffe as a biker in contemporary L.A. thing, too.)
So maybe my first step was okay. I mean, a “vampire story” has certain expected, familiar components. My attempt at ingenuity – a vampire who started life as a monk – is likely something readers can connect with. It may be that my vampire should retain those Eric Northman elements, too. (Especially the orgasmic bite thing, because who wouldn’t benefit from that?)
Except the thing Irene’s questions made me realize is that my vampire only gets to keep the parts of the vampire myth that make sense for his character. Monks aren’t notoriously wealthy, so maybe that’s not an element we end up keeping. Developing the vampire character has become a process of picking and choosing which pieces of the trope work for HIM.
Perhaps – and this is my real a-ha moment, which I may have actually had while writing this post – just maybe coming up with a truly fresh premise isn’t about the thunderbolt that sends you scurrying to your laptop. Maybe it’s more about making a couple of tweaks to something familiar, then informing them with real, live (or undead), characters.
If you’ve got a process for tweaking a standard trope or character type, leave me a comment. Would love to learn from you!