I was originally going to post about Women’s History Month, but then this contest came up and it is related, so I couldn’t resist.
My book Madame Presidentess is historical fiction based on the true story of Victoria Woodhull, the first woman to run for president of the United States in 1872 – 48 years before women got the right to vote. Last year it was optioned for TV/film but that didn’t work out so I have the rights back again. Taleflick and I are working hard to get more producers interested. And you can help!
Madame Presidentess is part of a special TaleFlick Discovery contest celebrating International Women’s Day. That means it gets an extra chance to be made into a film or TV show. But only if you vote!
To vote, once you click the button above, find my book and click the Vote button that looks like an up arrow on the right.
Ends: Fri. March 13 at 7 p.m. ET/6 p.m. CT/4 p.m. PT
Officially, you can only vote once. But you can always try again on a different device…Not that I’m advising you to or anything.
If you get a message that you’ve already voted, it means someone on the same IP address has already voted. This happens in workplaces a lot. You will need to vote from home if that occurs. If you’re still getting that message, please don’t give up! Contact Taleflick support ASAP.
Winning books need thousands of votes, so please share with all your friends. Here are some graphics you can use.
There once was a day, not long ago, that the only way to get your book turned into a TV series/movie was to traditionally publish, sell a TON of copies, and pray your publisher’s rights department had really good connections. It was a rarity that anyone, even the bestsellers, got these deals.
But over the last several years this has been changing. I’m not exactly sure when it started–I first noticed it after the success of Twilight, but that doesn’t mean anything other than that’s when I was paying attention–but Hollywood began adapting more and more books. These were usually still traditionally published bestsellers. Enter Netflix, Amazon and Hulu with their constant desire for content to adapt, and TV/movie deals grew even more common.
Then came 50 Shades and The Martian, which showed that a rare few indie books might be worthy of adaptation, you know, if they sold like a million copies. Indie authors with sales numbers like that began to be able to contract with film/rights agents just as if they were traditionally published.
There is even hope for us indie authors. One of my friends just mentioned that more and more Hollywood people are attending major book conferences to hear pitches. (I think she specifically mentioned the Willamette Writers Conference.) If you write romance, Passionflix (I swear to you it’s not what it sounds like), will take a look at your book. (Although most of the books they’ve adapted to date seem to be traditional bestsellers.)
Then there is Taleflick, a relatively new company (first publicized last August), that aims to bring together Hollywood types (directors, producers, screenwriters, etc.) with books written by indie authors.
FULL DISCLOSURE: I got my movie/TV option for Madame Presidentess through TaleFlick. But I do not work for them, they have not paid me to endorse them or in any other way suggested that I should speak positively about them. I am just a VERY happy customer.
If you want a quick rundown on who they are, I was just quoted in a Publisher’s Weekly article about TaleFlick. I really like that they don’t care about your sales numbers. They are looking for a quality story and a professionally produced book. That’s it.
All of this means more opportunities for authors than ever before. Granted, they still say 99% of books that get optioned never make it to film. Alyson Noel, a YA author whom I consider a bit of a mentor, had her book, Saving Zoe, on option for 10 years before it was ever made into a movie. (Opening in select theatres and streaming online July 12.) She has several others on option that still haven’t been made. Deborah Harkness had A Discovery of Witches optioned several times (I know of at least four, including at least one major Hollywood studio) before finally landing with BadWolf Productions, a new company who made the TV series that aired in the U.S. earlier this year to much critical and fan acclaim. So options still aren’t guarantees, but they are opportunities that are getting more and more within our reach.
Even if my books, or your books, never make it to that point, being able to say they were optioned is worth it, at least in my opinion. It gives you credibility that is SO difficult to come by as an indie author. And you’ll make a little money (and I mean a little) on selling the option. What do you have to lose?