When I originally picked this date for my post, I thought I would be writing something about making history with our first female president and a tie-in to my book Madame Presidentess, which is about Victoria Woodhull, the first woman to ever run for president in the US in 1872.
Yeah, not so much.
The last thing we all need right now is another political diatribe (believe me, I’ve written many in my head in the last 24 hours). So, as they say on Monty Python “and now for something completely different…”
My one-year anniversary of being a published author is coming up on January 1. As with all other things, you learn as you go. Here are 10 things I’ve learned from experience this year.
- Set a realistic publication schedule. Don’t try to publish four books in seven months like I did. I am living proof that is possible, but you will wear yourself to your breaking point. I set that schedule because I didn’t know what I didn’t know – namely, that even if you indie publish like I did, all the rounds of editing and cover design and layout take a lot longer than you think they will – especially when you’re juggling them with a full-time job. My suggestion is one book every six months at the most. That way you’ll have time to take things slowly and carefully, as you should. That being said, releasing several books in a short time frame is great for marketing and sales because it gives people more things to read once they find one book they like.
- Have some kind of a marketing and production budget. I did not because I didn’t save before I decided to publish. I also had no idea how much things cost. You can do some/all of these things yourself, but I know my skills and what I have time for. There are also ways to save money on some of these (don’t sacrifice the editing or cover!), so your mileage may vary. Here’s a run down of approximate cost ranges:
- Editing = Can run you $1,000-$3,000+ depending on who you hire and how many rounds you do
- Cover design = $250-$500
- Layout = $1,000
- Audio books = varies by length of book and cost of talent but mine were $2,000-$3,00o each
- Printing/distribution = There will be a setup fee in IngramSpark (Createspace is free, but bookstores won’t order from them) and you have to pay for your own copies that you hand sell. You’re looking at around $50 for setup and $4-$6 per book you order depending on length.
- Marketing = This is totally up to you. I went overboard, but I’m glad I’ve tried just about everything. That just means it will take a while to earn that money back and pay off my credit cards. 🙂
- Audio books are worth the cost. Yes, they are expensive and time consuming, but they are also great passive income once they are done. I’ve sold more audio books than print and ebook combined. They are also a ton of fun to be involved in, and many sources say audio is the next big thing in books. As soon as I can afford to get Madame Presidentess made into audio, I’m going to, and it will be part of my publishing budget for every book I write.
- Your book will find it’s audience. No matter what you write, there are people out there who want to read it. You can help them find you by blogging even before you publish and by attending events related to what you write. And of course, through targeted marketing. Most writers are niche writers, so don’t be disappointed if you start out small. Indie publishing is not about the overnight success; it’s about the long tail career. You never know what may happen that will expose you to a wider audience over time.
- Marketing is hard. I say this as someone with 15 years of professional marketing experience and a master’s degree in public relations. Marketing a book is unlike any other kind of sales/PR/marketing you will ever do. And it is harder than ever to break through the noise, regardless of whether you are traditionally or indie published. But you have to try. I learned a lot through what didn’t work.
- Don’t drive yourself crazy over sales. There is more to life than your sales numbers. Yes, we all want to make the big bucks, but if you focus solely on that, especially as an indie, you will drive yourself mad. Some authors take the perspective of “if it doesn’t translate directly into sales, it isn’t worth doing.” I respect that mindset, but it isn’t mine. I started out writing because I have to, not for the money. So I look at how creatively fulfilled I am and how things are working from an exposure/branding/PR perspective in addition to sales.
- The writing community is incredibly supportive. I knew that already, but man will indies join together. This year I have experienced so much love from the community and little to no competitive ire. I even got the best support from a man who wrote about the same subject I did. I think a lot of the reason for this mindset is because we know what it’s like to go it on our own and we don’t have to worry about being dropped by a publisher/agent.
- You get better at everything as you go along. Whether it’s writing or marketing, you hone your skills with practice. Just keep going.
- Keep writing. The best type of marketing is another book. It gets your name back out there and draws attention to what you’ve already written. This is why it’s so important not to get caught up in too much marketing. We have to remember that our #1 job is to be writers.
- Take breaks when you need them. Says the girl who hasn’t taken one in four years. But this is how I know how important they are. If you don’t refill your creative well, you won’t have anything left to give. I’m taking at least the rest of this year off to do just that.
I feel like given other subjects I could have covered today, this is a pretty generic post. But it’s honest. And this is all I have in me at the moment.